A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
In New York, the polite dance instructor Pierre Dulaine sees a black teenager vandalizing the car of the director of a public school and on the next day he volunteers to teach dance to students to give respect, dignity, self-confidence, trust and teamwork. The reluctant director Augustine James offers the troublemakers that are in detention expecting Pierre to give-up of his intentions. Pierre struggles against the prejudice and ignorance of the students, parents and other teachers, but wins his battle when the group accepts to compete in a ballroom dance contest. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally, Antonio Banderas turned down the part of Pierre when he looked at the script and realized the whole film was about ballroom dancing. The producers begged him for a few minutes for them to explain the story. After hearing this, viewing a documentary on and meeting the real Pierre, Banderas signed on. See more »
After Mr. Temple's first argument with Augustine about detention, he leaves the main office and forcibly closes the door behind him. As the door closes, the supposedly solid structural wall shakes noticeably. See more »
I just returned from seeing this film at a preview/test screening.
This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.
Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.
The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.
My only complaint was that the ending didn't seem to wrap up everything
there were some back story lines and issues that weren't resolved.
But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.
I give it an 8 out of 10, because I was genuinely entertained.
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