Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. ... See full summary »
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
In New York, the polite dance instructor Pierre Dulaine sees a black teenager vandalizing the car of the director of a public school and on the next day he volunteers to teach dance to students to give respect, dignity, self-confidence, trust and teamwork. The reluctant director Augustine James offers the troublemakers that are in detention expecting Pierre to give-up of his intentions. Pierre struggles against the prejudice and ignorance of the students, parents and other teachers, but wins his battle when the group accepts to compete in a ballroom dance contest. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The youthful members of cast worked with the real Pierre Dulaine to get their dance moves correct for the movie. See more »
The first time when Pierre is in Augustine's office, he mentions the pictures of students on the wall. During the shot of the students, the pictures of Rock's brother and of LaRhette's brother are side by side. But when Pierre asks Augustine about Rock and LaRhette, she points out the students on the wall but LaRhette's brother's picture is below Rock's brother's picture. See more »
TAKE THE LEAD (2006) *** Antonio Banderas, Rob Brown, Alfre Woodard, Dante Basco, Lyriq Bent, Brandon Andrews, Laura Benanti, Yaya DaCosta, Jenna Dewan, Elijah Kelley, Shawand Mckenzie, Marcus T. Paulk, Joseph Pierre, Katya Virshilas, Heidi von Palleske. "To Sir With Love" meets "Dance With Me" could've been the pitch for his entertaining melodrama based on the true-life account of Pierre Dulaine's (Banderas in one of his best performances) unorthodox method of communicating with Manhattan high school delinquents with teaching them ballroom dancing. While Dianne Houston's screenplay is riddled with clichés and formulaic storytelling, novice filmmaker Liz Friedlander, who cut her teeth on music videos, inhabits the film with a lot of style, panache and energy thanks largely to her unknown ensemble of willing young talent and stand-up and cheer moments including a ménage a trios tango that sizzles.
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