A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass and destroy everything he stands for.
Chloë Grace Moretz,
Scott Pilgrim plays in a band which aspires to success. He dates Knives Chau, a high-school girl five years younger, and he hasn't recovered from being dumped by his former girlfriend, now a success with her own band. When Scott falls for Ramona Flowers, he has trouble breaking up with Knives and tries to romance Ramona. As if juggling two women wasn't enough, Ramona comes with baggage: seven ex-lovers, with each of whom Scott must do battle to the death in order to win Ramona. Written by
Jim Beaver <email@example.com>
The Canadian band Broken Social Scene wrote the two 4 second songs ("we hate you, please die" and "I'm so sad, so very, very, sad") for Crash and the Boys. Metric, another Canadian band wrote the song "Black Sheep" which is performed by Scott's rival band The Clash at Demonhead. See more »
When Scott fights Roxy, Ramona holds his hands while punching her. One punch clearly misses Roxy's face, but the sound of a punch is heard. See more »
Ramona V. Flowers:
Listen, I know I can be hard to be around sometimes. I totally understand if you don't want to hang anymore.
No, no, I want to hang. It's... You know, the whole evil ex-boyfriend thing...
Ramona V. Flowers:
It's no biggie. Um. You know, I know it's early, but I don't think anything can get in the way of how I SHIT!
[Camera cuts to Scott's ex standing behind Ramona]
See more »
When the cast is listed during the opening credits, the drawings in the background display little motifs related to the characters they play in the movie:
Chris Evans: Skateboards (Lucas Lee was a skateboarder before becoming an actor) and the logo for his character's skateboard company
Anna Kendrick: Coffee stains and wet mug marks (Stacey Pilgrim works at a coffee shop)
Alison Pill: The words "one! two! three! four! (which Kim Pine typically yells to signal the start of a Sex Bob-Omb song) and the Sex-Bob-Omb logo
Aubrey Plaza: Black squares (which are used to obscure Julie Powers' mouth whenever she curses)
Brandon Routh: Bass guitars (Todd Ingram defeats Scott Pilgrim in a bass duel) and the number 3
Jason Schwartzman: The three triangle symbol of Gideon's company and a pair of glasses
Ellen Wong: A pair of knives similar to those she uses in the final fight.
Kieran Culkin: A cell phone status bar (Wallace can text while sleeping)
Johnny Simmons: Rectangles (mimicking the design on his shirt and his Nintendo DS
Michael Cera: Bass Strings
Mary Elizabeth Winestead: Three different shades of hair, denoting how many times her character changes hair color
Brie Larson: Broken hearts denoting her role as a femme fatale
Mark Webber: An acoustic guitar.
Mae Whitman: Four X's denoting her position as evil ex number 4 and a razor blade denoting her razor whip
Additionally, the names of all the actors playing Ramona's evil exes are accompanied by numerous little Xs. See more »
Scott Pilgrim vs. the World is probably as close as we'll come to having an experimental film released in theaters nationwide. This is one of the most innovative, original movies to come out in years. It's unlike anything I'd seen before. And yes, it is good, very good. I could not stop laughing the whole time.
Onto the plot. Scott is something of a loser. He's socially awkward. He shares a mattress in a bunker-like apartment in Toronto with a sarcastic gossip king. He's in a band called the Sex Bob-Ombs, but they're really not that great. He also has a clinging, hyperactive girlfriend, "Knives" who's only 17- kind of a big deal when he's 22. All this changes when he dreams of a purple haired girl on roller blades. The very next day he finds out that she's real; that her name is Ramona flowers and she's the cool new girl in town. His first attempt to hook up fails miserably. His second attempt, although even more lamed brained, actually works, and they're soon an item. But now comes the bad news; to win her love, Scott must defeat her seven evil ex's. He also has an evil ex of his own. Plus, there's the matter of breaking up with Knives, and the battle of the bands is coming up!
That's the setup, what follows is a hilarious romantic comedy punctuated by a series of completely over-the-top video game style fight scenes. Stylistically, I'd have to call them a cross between Sin City, Street Fighter and Viewtiful Joe. Each of the ex's has their own unique fighting style and their own super powers, such as vegan-powered telekinesis or summoning an army of stunt doubles. Often you hear martial arts movies criticized because the action is obviously computer aided. Here, that's the whole point.
The movie's humor comes not only from the sheer ridiculousness of the situations, but also from the characters' reactions to them. After one of the ex's has flown in through a brick wall and battled Scott in the middle of a concert, everyone is just kind of weirded out. They don't act like nothing has happened, which would make it hard for the audience to suspend their disbelief, nor do they run screaming for the police, which would only complicate matters.
Comedic effect is also generated through the use of deadpan dialog. For instance, when Knives confesses that she's never kissed a boy before, Scott replies, with a straight face "It's okay, neither have I." Or the band's self-introduction, "We're the Sex Bob-Ombs and we're here to make you all sad and depressed and stuff.
The movie also pokes gentle fun at hipster subculture with the way that Ramona has thirty plus flavors of tea, or how Scott's roommate is always texting. There are also quirky touches like one girl who can bleep herself out, much to Scott's amazement, and a scene when the intro from Seinfeld plays after the characters enter the apartment, and canned laughter follows every line.
The editing and structure are highly non-traditional, with heavy use of dreams, daydreams, montages, animated flashbacks and asides, and chapter titles introducing segments. The visuals are impressive and very imaginative, such as the way that flashes of color accompany the playing of any musical instrument, allowing you to see the sound. Speaking of which, the sound is another high point, not only the energetic, rock fueled sound track, but also the sound effects taken from classic games like Mario and Zelda.
Scott Pilgrim vs. the World succeeds in telling an offbeat story, providing interesting characters, and in producing lots of laughs. Other than a couple of too-obvious puns, I honestly can't think of anything wrong with this movie. I would highly recommend it to anyone in their teens or twenties. Four stars.
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