A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Max von Sydow,
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
A young Viking boy is left behind at a hostile tribe of American Indians, whom eventually accept him into the tribe and raise him. A personal war begins for the young Viking when the Vikings return 15 years later and initiate a barbaric attack on the tribe and the woman he loves. Written by
Despite knowing that the Vikings' helmets didn't historically have large animal horns on them, the filmmakers decided to add them anyway. Modern audiences are used to thinking of Vikings with horns on their helmets, and it made them look more terrifying (evem if, in truth, they never wore them). See more »
Neither the mountains nor the forests presented in this film resemble anything found on the eastern seaboard of North America within the last 400 million years. See more »
[after letting Gunnar fall from the mountain]
I'm not your kind.
See more »
I have read many comments here that hated the film. One of my friends who accompanied me to the screening disliked it as well. He thought it was a waste of time, too. Unfortunately, many viewers, such as my friend, miss the point, as they in fact look for a point.
Unlike the new trend of films of this era, "Pathfinder" did not submit to the theme of freedom, the political freedom. None of the characters pronounce the word freedom, such as the main character of the film, "300," who shouted it out loud. Instead, the main character of the film, Ghost, battles himself and "his demons" in order to find his own freedom and to fit in. Ghost tries to look for the peace he was raised in.
"Pathfinder" challenges the modern stage of film-making, and re-introduces a somewhat Western ideology that John Wayne's "The Searchers" had introduced in 1956. Therefore, the audience has to place themselves in a position to examine each character-groups' point of view. In that respect, the film offers some depth to the little story that is filled with violent battle scenes.
The battle scenes are enjoyable. There is a certain level of combat cruciality. That is also a part of the little depth the story gives us. Thus, the issue of good and evil surfaces in the film in how battle is a balancing aspect of the life each side's lives.
Of course since this film is trying to appeal to the general audience, a certain degree of love and romance is involved. The love and romance of this film is actually not all-so-bad, although I am not quite found of. However, it brings a little strength into the issue of choice of life Ghost must endear.
I think "Pathfinder" lives up to its own introduction, "Legend." Therefore, it is filmed as such, an old legend. The film-makers saw it as such, and they wanted to let us see it too. I know I did. The dialogue(s) is not the perfect one, but must resemble the simplicity of older times. I do not think this is the greatest film ever made; however, it is a well made film which I think people will enjoy its little story, if they can go past the neo-ideology and "what's the point?" issue.
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