Around the year 1000 AD warlike people, the so-called "tjuder", roam in northern Scandinavia. As they brutally kill a family in a remote area, including the parents and their little ... See full summary »
Pathfinder is a unique interactive movie developed in partnership with the US Army Airborne School, Fort Benning, Georgia. In Pathfinder the viewer becomes SSG Mike Williams. You have to ... See full summary »
Based on the Aramoana Massacre that occurred on 13 November and 14 November 1990. Resident David Gray, an unemployed gun collector, went on a rampage in which 13 people were shot dead, before Gray himself was shot by police.
Three companies of paratroopers travel in a deadly mission to France to prepare the drop zone for the airborne attack on the D-Day. They have to install an Eureka transmitter and searchlight to guide the planes in the Normandy invasion.
Curt A. Sindelar
Michael Conner Humphreys,
Philip De Lorenzo
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
A young Viking boy is left behind at a hostile tribe of American Indians, whom eventually accept him into the tribe and raise him. A personal war begins for the young Viking when the Vikings return 15 years later and initiate a barbaric attack on the tribe and the woman he loves. Written by
The film is based on the Norwegian movie Pathfinder (1987). After watching, Nils Gaup, director of the original, said: "Twice Hollywood has remade my films, and both times they have managed to make the worst movie ever." The other of his films Hollywood remade was Head Above Water (1996). See more »
In the beginning you see a white horse, but horses were not introduced to the America continent until 16th century when the Spanish conquistadors arrive. Also the horse is not of a breed that would have been used by the Vikings. See more »
If you are not strong enough to kill the bear use the bear's strength to kill it.
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Nipsel and company basically hybridized the structure of Dances with Wolves with a not-quite-historical fiction (more like radical speculation) plot about interactions between Norsemen and Native Americans during the 12th century A.D.
Ghost (Karl Urban) is a Norse boy left behind aboard a wrecked ship. He is adopted by the Clan of the Dog (the dogs who cohabitate with this tribe are historically inaccurate, but that's just one of many historical transgressions). As he grows up, Ghost's obvious difference and his history become something of a stumbling block for him, but he works hard to overcome them in order to be accepted by his adoptive people. Eventually, it seems, he must confront the demons of his past, and unfortunately, so must the Clan of the Dog.
Pathfinder is played well by Russell Means, and Ghost's love interest - Starfire - is nicely portrayed by Moon Bloodgood. Urban has great physical talent, but this story did not lend itself to testing his ability to create drama and mood, so there isn't much to say about his performance. Likewise, most of the Norse characters were so under-developed and one-dimensional that it is impossible to comment on the performances involved.
Although the story relies on stereotypes to develop both its Norse and Native American characters, since so little is actually known about the Norse colonies, this seems forgivable. What is not really forgivable, in my opinion, is the reiteration of the trope established in Dances with Wolves and other similar works which suggests that it takes a European to effectively fight off Europeans. Although the characterizations of the protagonists in both films are adequate to explain their behavior, the character and behavior of the Native Americans attached to them is less well developed, and there is a lingering, inaccurate and disturbing shadow of inferiority implied in their apparent inability to strategize and effectively lead in combat.
However, Pathfinder refuses to touch reality with any length of pole, so, sit back and enjoy the action, costumes and sets.
The film contains a lot of violence, most of which is convincingly shot. The costuming is excellent, and the sets are lovely. if you can get past the problems - which are several - you may just enjoy it.
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