In 1976, Jack Unterweger was convicted for the murder of Margaret Schaefer and sentenced to life in prison. While imprisoned, he committed himself to reading and writing, eventually earning... See full summary »
Nathan, a brilliant New York lawyer who leads a life of professional success, but his private life is pretty dismal since he divorced Claire, his only love. Until he meets Doctor Kay, a ... See full summary »
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female ... See full summary »
On September 27, 1810, the French troops commanded by Marshal Massena, were defeated in the Serra do Buçaco by the Anglo-Portuguese army of general Wellington. Despite the victory, ... See full summary »
Cape Town professor David Lurie blatantly refuses to defend himself for an affair with a colored student whom he gave a passing grade for an exam she didn't even attend. Dismissed, he moves to his daughter Lucy's farm, which she runs under most disadvantaged terms, favoring the black locals. Yet rowdies, unprovoked, violently rob and abuse them both. Lucy refuses to fight back, unlike David, who is surprised by his own altruistic potential. Written by
I haven't read the award-winning book on which it is based, but Steve Jacob's film 'Disgrace' is a thoughtful and intelligent story about wrongdoing and reconciliation that quite explicitly functions as a microcosm of post-Apartheid South Africa and its relationship with its own past. In it, John Malkovich's disgraced, womanising and cynical ex-University professor comes to understand the value of offering contrition (when reparation is not obviously a feasible outcome) after his daughter is attacked and there is nothing corresponding to justice available for her. Indeed, she lives (in the remote highlands) where the very basis of power (which is ultimately needed to support justice) is undergoing a practical (though ugly) renegotiation, and the attack itself is seen (by her, though not by her father) in this context. The fact that both the professor and his daughter are, in their own ways, prickly and proud characters, makes the story more interesting; and the temptation for melodrama is resisted at every turn (indeed, while the most obviously dramatic scenes are being played out, the bigger event is occurring off-camera). It takes a lot of discipline to make a film this way; but there's a pay off - it feels real throughout, and makes you think by avoiding all the easy clichés.
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