The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation ... See full summary »
Edward James Olmos
A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.
James Earl Jones,
Mary Stuart Masterson
Lauren, an impassioned American reporter for the Chicago Sentinel heads to Juarez, a Mexican bordertown, in order to investigate a series of mysterious slayings involving young factory women from all over Mexico. As she discovers hundreds of victims, she gains the trust of local factory workers but falls into danger. Written by
Other than Antonio Banderas (who mails it in as usual, though at least he took all that crap out of his hair), the cast does a more than adequate job or portraying an important story. Eva, in particular, evokes a genuine sense of despair and hope strung together simultaneously. While the script and dialog are unquestionably formulaic, the pathos of the story and evocation of place save this story and the acting is workman like if not fantastic. Not much has been said about the effects of NAFTA and the bordertowns like Juarez that have sprung up and swallowed communities whole and this movie is at least a step in the right direction for rectifying this and telling at least a fragment of an important tale. This movie could only possibly be funny to someone who thought Schindler's List was a real hoot as well.
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