The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Lauren, an impassioned American reporter for the Chicago Sentinel heads to Juarez, a Mexican bordertown, in order to investigate a series of mysterious slayings involving young factory women from all over Mexico. As she discovers hundreds of victims, she gains the trust of local factory workers but falls into danger. Written by
Other than Antonio Banderas (who mails it in as usual, though at least he took all that crap out of his hair), the cast does a more than adequate job or portraying an important story. Eva, in particular, evokes a genuine sense of despair and hope strung together simultaneously. While the script and dialog are unquestionably formulaic, the pathos of the story and evocation of place save this story and the acting is workman like if not fantastic. Not much has been said about the effects of NAFTA and the bordertowns like Juarez that have sprung up and swallowed communities whole and this movie is at least a step in the right direction for rectifying this and telling at least a fragment of an important tale. This movie could only possibly be funny to someone who thought Schindler's List was a real hoot as well.
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