The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.
James Earl Jones,
Mary Stuart Masterson
Lauren, an impassioned American reporter for the Chicago Sentinel heads to Juarez, a Mexican bordertown, in order to investigate a series of mysterious slayings involving young factory women from all over Mexico. As she discovers hundreds of victims, she gains the trust of local factory workers but falls into danger. Written by
not the greatest filming quality, but a must see for its story
This is a movie that is not a memorable example of cinematography (the plot is very Hollywood-ish, especially for a movie based on a real story), but the acting is quite good and it does give the viewer a fair idea of what is going on in the far away places (at times not so far after all) where our everyday gizmos are actually built in these days. And it is not a pretty picture, by any means. I think that the movie aimed at exposing the ugly truth of what has been going on right at the US border, where hundreds of women have been slaughtered for the past decade or so. But that was not all, because such nightmare did not, and does not, come out of nowhere: it comes straight out of the disastrous situation that exists in the modern-day sweat-houses (aka as 'manufacturing plants' to the big corporations) and the surrounding favelas where their workers live. And the sweat-houses are a direct consequence of, among the rest, 'trade agreements' like the NAFTA. So, even though some people might not like it, this is a political movie, and very rightly so. And now that I think of it, it does have some good cinematography in it: I find the photography extremely good. I liked the yellowish, desert-like tint that pervades the whole movie.
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