After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Across The Universe is a fictional love story set in the 1960s amid the turbulent years of anti-war protest, the struggle for free speech and civil rights, mind exploration and rock and roll. At once gritty, whimsical and highly theatrical, the story moves from high schools and universities in Massachusetts, Princeton and Ohio to the Lower East Side of Manhattan, the Detroit riots, Vietnam and the dockyards of Liverpool. A combination of live action and animation, the film is paired with many songs by The Beatles that defined the time. Written by
Studio head Joe Roth disliked Julie Taymor's initial cut of the film, and had it re-edited to better suit mass audiences. While Taymor's contract gave her "final cut" rights, Roth hoped to persuade her to allow his version of the film to be released instead. This was unsuccessful though, and Taymor threatened a lawsuit if Roth failed to release her version. Moreover, in exchange for participating in the DVD release and the film's publicity campaign, Taymor forced the studio to sign an agreement that all copies of Roth's edit would be destroyed without ever being released to the general public, and that no further re-edits of the film (barring television edits) could ever be released without her express permission. See more »
During the "It Won't Be Long" sequence in Lucy's bedroom with her sister and her sister's friend, the young girls are laying on the bed holding a bowl of popcorn and singing backup to Lucy, in the next shot, when Lucy joins them on the bed, the popcorn has dissolved into thin air. See more »
Is there anybody going to listen to my story all about the girl who came to stay? She's the kind of girl you want so much, it makes you sorry. Still, you don't regret a single day. Aw, girl. Girl...
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Across the Universe is a love story and musical with creative interpretations of Beatles classics. Critics looker for deeper meaning seem to forget this simple fact. Incredible cameos by Joe Cocker, Bono, and an earth-shattering Gospel version of 'Let it Be', are all in themselves reason enough to see the film. I was lucky enough to see this recently at the historic Elgin theater in Toronto. Julie Taymor is one of the most eloquent directors I've heard to date. Not only has this film advanced the art of film-based musicals, it will most certainly get the Oscar nod and introduce a legion of new young fans to the Beatles. I for one can't wait to see and experience it again!
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