IMDb > U-Carmen eKhayelitsha (2005)
U-Carmen eKhayelitsha
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U-Carmen eKhayelitsha (2005) More at IMDbPro »


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6.7/10   555 votes »
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Release Date:
1 April 2005 (Greece) See more »
A version of Georges Bizet's Carmen, set in a modern-day South African township. Full summary » | Add synopsis »
1 win See more »
(14 articles)
User Reviews:
There is hope See more (13 total) »


  (in credits order)
Pauline Malefane ... Carmen
Andile Tshoni ... Jongikhaya
Lungelwa Blou ... Nomakhaya
Zweilungile Sidloyi ... Lulamile Nkomo (as Zorro Sidloyi)
Andries Mbali ... Bra Nkomo
Zamile Gantana ... Captain Gantana
Andiswa Kedama ... Amanda
Ruby Mthethwa ... Pinki
rest of cast listed alphabetically:
Noluthando Boqwana ... Manelisa
Ross Garland ... Policeman

Directed by
Mark Dornford-May 
Writing credits
(in alphabetical order)
Mark Dornford-May 
Ludovic Halévy  opera libretto "Carmen"
Andiswa Kedama 
Pauline Malefane 
Henri Meilhac  opera libretto "Carmen"
Prosper Mérimée  novella (uncredited)

Produced by
Mark Dornford-May .... producer
Lucinda Englehart .... associate producer
Ross Garland .... executive producer
Ross Garland .... producer
Niki Hall-Jones .... line producer
Tanya Wagner .... associate producer
Cinematography by
Giulio Biccari 
Film Editing by
Ronelle Loots 
Production Design by
Craig Smith 
Costume Design by
Jessica Dornford-May 
Makeup Department
Jack Dagogo .... key makeup artist
Production Management
Randy Crabb .... production manager
Nicci Van Niekerk .... post-production supervisor
Second Unit Director or Assistant Director
Claire Letoret .... first assistant director
Trish Wylie .... second assistant director
Art Department
Henry Louw .... property master
Sound Department
Carmen Borgia .... sound re-recording mixer
Barry Donnelly .... dialogue editor
Barry Donnelly .... sound designer
Barry Donnelly .... sound editor
Barry Donnelly .... sound effects editor
Simon Rice .... sound mixer
Camera and Electrical Department
Sarel Eloff .... additional cinematographer
Kenny Fisher .... chief lighting technician
Guy Hodgen .... first assistant camera
Justin Youens .... camera operator: "b" camera
Costume and Wardrobe Department
Leonie Roberts .... wardrobe supervisor
Editorial Department
Nerissa Black .... post-production coordinator
Catherine Pantazopoulos .... colorist
Jonene van Zyl .... post-production coordinator
Music Department
Charles Hazlewood .... conductor
Transportation Department
Peter Ndifon .... unit transport manager
Other crew
Ozren K. Glaser .... production coordinator
Sharifa Ismail .... accountant
Joel Mthethwa .... choreographer
Rob Muir .... title designer: opening titles
J.C. Smuts .... production coordinator
Neil Stuart .... title designer
Ria Van Heerden .... script supervisor

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"U-Carmen" - South Africa (English title) (DVD title)
See more »
Germany:120 min | USA:122 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Germany:12 | Ireland:PG | Netherlands:12 | Singapore:PG | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud)

Did You Know?

Movie Connections:
Version of Kokkino-mavro Carmen (1987)See more »
CarmenSee more »


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5 out of 5 people found the following review useful.
There is hope, 12 June 2008
Author: vanwilgen from United States

Call me a softy, or sentimental, but merging two ancient traditions to see it not only work but enforce each other is nothing short of a miracle. I think it's a victory for the human experience to discover that boundaries are artificial and should be disposed of. I think the clinking and clonking of the stairs and the passing trains during the final scene are plea for honesty and integrity in contemporary cinema. It also shows how stuck up we are in today's operatic environment. The ability to suggest leniency towards what is real in this movie is absolutely brilliant. Watching a movie like this one gives me hope that there are still people out there who believe movie making is a form of expression of what we believe freedom should feel like. Another encouraging element is the sense of community that this movie is exhaling without romanticizing the life of the poor; they're proud of their community, they're proud of their traditions and they love to show it (although no animals were harmed). The only problem I have is that I will never be able to see Carmen, the opera, in the traditional way again. On the other hand, think of the possibilities, Hamlet in the rain forest, Ibsen in Tehran, Brecht in Mumbai - thinks are looking up in the world.

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