A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Sixteen-year-old Lilja and her only friend, the young boy Volodja, live in Estonia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invites Lilja to come along and start a new life.
In Nablas on the West Bank, Said and Khaled, who have volunteered to be suicide bombers, receive word it will be tomorrow - the cell's first operation in two years. They're shaven and shorn, in black suits to pose as settlers in Tel Aviv for a wedding. Something goes wrong at the crossing, they're separated, and the action is postponed, long enough for renewed questioning of what they're about to do. Suha, the well-educated and well-traveled daughter of a martyr, challenges the action. She likes Said and has her own ideas. "Under the occupation, we're already dead," is Khaled's analysis. Fate and God's will seem to drive Said. We must be moral, argues Suha. Can minds change? Written by
Jina Sumedi wrote an original score for the film that ultimately was not used. See more »
When Khaled makes his speech for the second time, two of the people watching him are eating pitta. The man with the purple T-shirt is holding the pitta with his right hand in one shot, with his left in the next. See more »
Why are you doing this?
If we can't live as equals, at least we'll die as equals.
If you can kill and die for equality you should be able to find a way to be equal in life.
How? Through your human rights group?
For example! Then at least the Israelis don't have an excuse to keep on killing.
Don't be so naive. There can be no freedom without struggle. As long as there is injustice, someone must make a sacrifice.
That's no sacrifice. That's revenge. If you kill, there's no difference between ...
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Paradise Now is an authentic film that poetically deals with one of the most prickly and difficult issues facing the world today. It is a natural and elegant film, which leaves you thinking and feeling in ways you did not expect. For those who say that such a movie should not be shown, or that there is no value in pondering such topics from this viewpoint - my response is that open awareness and the exchange of ideas is the beginning of a solution. You cannot suppress reality, or freedom of speech and expression. This film vividly demonstrates that life is not black and white - we live in shades of gray. This is a perspective that should be seen, and deserves to be shown.
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