Hell Has Harbour Views (TV 2005)A man re-discovers his conscience in the most unlikely of places - working for a prestigious law firm. Director:Peter Duncan |
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Title: Hell Has Harbour Views (TV 2005)
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Cast
| Cast overview, first billed only: | |||
| Matt Day | ... |
Hugh Walker
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| Lisa McCune | ... |
Caroline Ashton
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| Marta Dusseldorp | ... |
Helen
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Tony Llewellyn-Jones | ... |
John Diplock
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| Peter O'Brien | ... |
Tim Sullivan
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| Steve Bisley | ... |
Bruce Kent
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Kris McQuade | ... |
Pam
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Frank Whitten | ... | |
| Freya Stafford | ... |
Jill Bishop
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| Abigail Bianca | ... |
Sarah
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| David Field | ... |
Greg Hogan
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| Roy Billing | ... |
Kevin Fields
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Tiriel Mora | ... |
Rob Carney
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Simon Chilvers | ... |
George Hancock
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Tony Barry | ... |
Frank Flannery
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Storyline
A man re-discovers his conscience in the most unlikely of places - working for a prestigious law firm.
Plot Keywords:
based on novelTaglines:
A modern tale of love and litigation.Certificate:
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Details
Country:
AustraliaLanguage:
EnglishRelease Date:
30 January 2005 (Australia) See more »Filming Locations:
Sydney, New South Wales, AustraliaCompany Credits
Production Co:
Australian Broadcasting Corporation (ABC), Essential Viewing Group, Hilton Cordell Productions See more »
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Technical Specs
Runtime:
| (2 parts)Color:
Color
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Music by Michel Vaucaire
Lyrics by Charles Dumont
Performed by Jeannie Lewis
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Did You Know?
Soundtracks
"Non je ne regrette rien"Music by Michel Vaucaire
Lyrics by Charles Dumont
Performed by Jeannie Lewis
See more »
In my dictionary, under 'lame', 'keyrap' & 'insulting', this title is listed as definition #1. Perhaps it's merely the 'semi-social', boarderline psycopath in me, but really, anyone enjoying this as comedy has a significantly warped semi-sense of humor. The entertainment value is ziltch. The social redeeming value is nil, except to offer an Australian example of why there's 'Hollywood', 'Bollywood' & 'Pine Wood' studios but never a 'Sydneywood', 'Brizzywood' or 'Perthwood'. The language alone is obnoxiously foul & the premise offensive. Unfortunately, it suits assbackwards Australia to perfection. Especially since 'A modern tale of love and litigation.' has the looks & feel of 1987, when certain political corrective measures had yet to be recognized. Wot a load!