Where are we humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
Bengt C.W. Carlsson
In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called... See full summary »
A plain, ordinary man tells us about his work as a real-estate broker, his dead father, his ordinary home and so on in a naturalistic voice, lacking any emotions, looking straight into the ... See full summary »
In ABOUT ENDLESSNESS we are guided through the world by the soft voice of a woman. It is a sort of fairy voice, a Scheherazade telling us the eternal story of the lives and endeavour of ... See full summary »
A series of scenes that focus specially on a single idea, emotion or act us. In the absence of interfering qualities this film is able to take one factoring influence and amplify it to absurd and hilarious proportions. Each scene gives us an uninterrupted view at some of the more unglamorous characteristics that in the end determine who we are, both as individuals and as a thread in the patchwork of the collective human unconscious. Written by
This consists of 50 short sketches, each scene filmed in one take. See more »
Serving non-alcoholic beer with food that smells so good. It's torture!
I only want what's best for you.
Best! Is this what's best for me? Enduring this damned existance... with all the shit and deceit and wickedness and staying sober? How can you expect or even want a single poor bugger to put up with it without being drunk? It's inhuman. Only a sadist would demand that.
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I saw this movie yesterday at the Cannes Film Festival. My initial reaction is one of wonder and happiness. I'm so happy films like this are being made in our age of blockbusters.
Roy Andersson's new movie "You, The Living" is nothing less than a complete masterpiece. You, The Living is composed by some 50 vignettes filmed with a static camera. I will not give away the content of the scenes here, because I hate when people spoil even the smallest details. But, yes, most of the scenes made the 1000 people in the Claude Debussy theatre absolutely baffled and amazed. When the film was over we applauded for several minutes, we had no other choice.
So what's the score with "You, The Living". Hm, Andersson isn't afraid to take on the heavy questions; History, guilt, gand The Holocaust during WW2 are big subjects (and these themes work very well together).
The images created are brilliant, the depth sometimes surpasses "Songs from the Second Floor".
Well, sorry for this ranting, praising review. Look out for the Flying House in the beginning folks!
10/10 stars - A Masterpiece (I never throw this grade out).
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