A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many... See full summary »
Bengt C.W. Carlsson
It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas ... See full summary »
This movie shows us Cléo, a French singer, who is afraid of getting the result of of a test from her doctor. She believes that she has cancer and will die of the disease. We follow her for ... See full summary »
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
A series of scenes that focus specially on a single idea, emotion or act us. In the absence of interfering qualities this film is able to take one factoring influence and amplify it to absurd and hilarious proportions. Each scene gives us an uninterrupted view at some of the more unglamorous characteristics that in the end determine who we are, both as individuals and as a thread in the patchwork of the collective human unconscious. Written by
For the vignette set in a hairdressers, the actor getting his hair cut had to have all his hair shaved off initially and then glued back on. See more »
Forgive those who only think of themselves. Forgive those who are greedy and cheap. And those who deceive and cheat or grow rich by paying miserable wages. Dear lord, forgive them. Forgive them. And Lord, forgive those who humiliate and desecrate. Forgive those who torture and kill. Forgive those who bomb and destroy cities and villages. Forgive those who are dishonest, those who lie and are false. Forgive governments who withhold the truth from the people. Dear Lord, forgive them. Forgive ...
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You can't really call Roy Andersson prolific, (6 films in 37 years). Nor can you accuse him of being conventional; he doesn't do 'straight-forward', at least when it comes to narrative. "You, the Living", his first film in seven years, is like a surreal documentary in which a large number of characters are observed doing nothing very much and if that sounds off-putting, let me assure you it isn't. This is a funny, accessible and surprisingly warm-hearted movie, a slice-of-life far removed from that which we normally see on the screen.
Of course, 'slice-of-life' is hardly the proper moniker to apply to this movie since most people's lives are unlikely to be anything like this. The incidents on the screen run the gamut from the almost terrifyingly ordinary to the downright wacky and while characters may flit by, sometimes never to be seen again, others to reappear as if anxious for approval, Andersson bestows on them all a kind of benign affection. That, and some rollicking music, ensure the time we spend with them is time well-spent.
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