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You, the Living (2007)
"Du levande" (original title)

7.4
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Ratings: 7.4/10 from 8,582 users   Metascore: 81/100
Reviews: 58 user | 90 critic | 14 from Metacritic.com

You, the Living is a film about humankind, its greatness and its baseness, joy and sorrow, its self-confidence and anxiety, its desire to love and be loved.

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Title: You, the Living (2007)

You, the Living (2007) on IMDb 7.4/10

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10 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elisabeth Helander ...
Mia (as Elisabet Helander)
Jörgen Nohall ...
Uffe (as Jugge Nohall)
Jan Wikbladh ...
The fan (as Jan Wikblad)
Björn Englund ...
Tubaplayer
Birgitta Persson ...
Tubaspelarens fru
Lennart Eriksson ...
Man on the balcony
Jessika Lundberg ...
Eric Bäckman ...
Micke Larsson
Rolf Engström ...
Trumslagaren
Jessica Nilsson ...
The teacher
Pär Fredriksson ...
The carpet dealer
Leif Larsson ...
Carpenter
Patrik Anders Edgren ...
Professor (as Patrik Edgren)
Gunnar Ivarsson ...
The businessman
Waldemar Nowak ...
The pick-pocket
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Storyline

A series of scenes that focus specially on a single idea, emotion or act us. In the absence of interfering qualities this film is able to take one factoring influence and amplify it to absurd and hilarious proportions. Each scene gives us an uninterrupted view at some of the more unglamorous characteristics that in the end determine who we are, both as individuals and as a thread in the patchwork of the collective human unconscious. Written by kwedgwood@hotmail.com

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Music

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Details

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Release Date:

21 September 2007 (Sweden)  »

Also Known As:

You, the Living  »

Box Office

Opening Weekend:

$6,924 (USA) (31 July 2009)

Gross:

$21,438 (USA) (7 August 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

This vignette also contains a nod to a little-known fact about Sweden's history during WW2, namely its pro-Nazi sentiments. (When the tablecloth is removed, it reveals Nazi swastikas inlaid into the top of the table as part of its design.) See more »

Quotes

The psychiatrist: Oh dear, oh dear, oh dear.
[examines the large stack of patient's files]
The psychiatrist: I am a psychiatrist. I have been for 27 years. I'm completely worn out. Year after year, listening to patients who aren't satisfied with their lives, who want to have fun, who want me to help them with that - it wears you out, I can tell you. My life isn't exactly a lot of fun either. People demand so much. That's the conclusion I've drawn after all these years. They demand to be happy, at the same time as they are ...
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Connections

Follows Songs from the Second Floor (2000) See more »

Soundtracks

Jag har hirt om en stad evan molnen
Lyrics by Lydia Lithell
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User Reviews

 
...and smash us all to bits!
31 March 2008 | by (United Kingdom) – See all my reviews

I really didn't see this one coming. Roy Andersson had me pegged out, I am the perfect sucker for a static camera (long live King Borowczyk!) and I was laughing hysterically for the first fifteen minutes of the film, he hit me straight between the eyes. You have to be a brilliant man to make self-pity hilarious. Andersson reminds me of the third mate on the Pequod in Moby Dick, Flask, a man who took the whole of life to be a practical joke that the good lord Himself is playing on us. And the web of egotism in this movie is truly hilarious.

The level of satire is at fever pitch, you have one deluded self-pitying dreamer harp on about the cruelty of the world and then totally ignore a spiritual self-reflection crying out in agony. The very depths of egotism are plumbed. I really never thought it possible to go further than Bergman's "The Silence" in this respect. However the grotesqueness of the self-love and self-regard, by every single character in this film, is staggering. We are shown an existence where the talentless and the idle rail against a world they believe has been unjust towards them, they truly are legends in their own living rooms. The human beings in this film make self-deception and self-delusion a great artform!

Only one woman in the film appears to have any sort of understanding of what is going on. An old woman who refuses to leave a chapel, knelt down praying for the forgiveness of all mankind, her speech is the most electrifying condemnation of the modern world I have ever heard. She reveals through her prayers that what is wrong with the world is not to be fixed by mere tinkering, there are not a just a few faults, there is an abyss of corruption that can only be mended by immolation, and judgement day. Watching this movie puts me in the mind of a naked monk, stood waist deep in a cold river at midnight screaming out a thousand Kyrie eleisons for the sins of humanity. Another grand jape is that it is clear that her prayers are futile, and in fact she is stopping everyone going home at closing time.

This is not a film for the smug, no-one is spared, no idols are left on the altar, no one group of humans is harangued to the glory of another group. Never has there been a greater more transcendent more astonishingly beautiful summation of our sins. It is a film for the end of the world, it is the grand jest, the great hideous practical joke of human life!

From the catalogue of images it is too difficult to pick a favourite, I slapped my thigh and almost fell off my chair in the cinema, screaming with laughter as a man attempted to pull the tablecloth from under a set service. I won't spoil what happens, but the suspense builds up, and something truly unexpected occurs. It is probably the funniest thing I have ever seen in a cinema. I am quite reserved and I just couldn't control myself: that is the measure of the greatness of this film.

The shooting of "You, the Living" is impeccably formalist. We are shown the palette of an artist, dingy browns, yellows, greys, and sky blues set alive by the shock of luminous brass textures. There is never a tone out of place, it's like an hour and a half of symphonic Whistlerian colour-meld. The obsession that must have gone into putting that colour scheme in place is extraordinary. And no shot is wasted, as with all great movies, there is not a spare inch of celluloid.

Perhaps the best film I've ever seen.


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Message Boards

Recent Posts
Swastikas on the tables?? nattviska
Am I the only one who found this film tiresome? SusanMarina
Could someone please explain the movie...please. Walter_Neff
is this more digestable than Songs From the Second Floor? j2los2
Video of Roy Andersson at work on DU LEVANDE !!! x2frnz
more on the music - the dining song this time michael-christie-2
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