A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.
The story of a young group of siblings pretty much abandoned by their parents, surviving by their wits - and humor - on a rough Manchester council estate. Whilst they won't admit it, they ... See full summary »
The absolute hilarious look at show business as seen through the eyes of a couple of Waiting for Godot type scene extras. With each episode, Extras has gained momentum like a cartoon snowball.
You can call me crazy, but Ricky Gervais has merely channeled Carroll O'Connor's ghost, and made it his very own. The Gervais Merchant brand of humor likewise is more Norm Lear than anything else. We get the laughs from racial, ethnic, etc. punch-lined jokes because we are really laughing at the ignorance, insensitivity and gross stupidity of the joke teller, who is in the end, the ultimate joke. Every sacred cow topic or taboo joke in the book is conjured triumphantly on this show, and I sit and laugh I mean really laugh, right along with everyone else out there. Borat utilized the same principle. Unlike Borat however, Gervais and Merchant don't go overboard and falsely portray positive stereotypes. That lack of hypocrisy is what makes this show and The Office before it, far superior to Ali G, Borat and company. Make The Office and Extras a top priority in your viewing.
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