| Mahasamut Boonyaruk | ... | Pod | |
| Saengthong Gate-Uthong | ... | Jin | |
| Sawatwong Palakawong Na Autthaya | ... | Yhod | |
| Nattha Wattanapaiboon | ... | Kong - the Motocycle Taxi Driver | |
| Raenkum Saninn | ... | Grandmother | |
| Pakapat Bunsomtom | ... | Tik | |
| Pattareeya Sanitwate | ... | Nawng Ma'am | |
| Phasin Maloyaphan | ... | Muay | |
| Chuck Stephens | ... | Peter / Andre (as Chuck Stephen) | |
| Akranee Inyotha | |||
| Butsara Ong-art | |||
| Sukhon Khanjaroen | |||
| Manoon Thaiyanan | ... | Pod's Father | |
| Thatsanai Chaisap | |||
| Gerard Fouquet | ... | Foreign Teacher | |
| rest of cast listed alphabetically: | |||
| Pen-Ek Ratanaruang | ... | Narrator | |
| Yehosuha Shlafrok | ... | Farang Boss | |
Directed by | |||
| Wisit Sasanatieng | |||
Writing credits(in alphabetical order) | ||
| Koynuch | novel | |
| Wisit Sasanatieng | writer | |
Produced by | |||
| Aphiradee Iamphungporn | .... | producer | |
| Charoen Iamphungporn | .... | executive producer | |
| Kiatkamon Iamphungporn | .... | producer | |
| Rewat Vorarat | .... | producer | |
Cinematography by | |||
| Rewat Prelert | |||
Film Editing by | |||
| Polarat Kitikunpairoj | |||
| Dusanee Puinongpho | |||
Production Design by | |||
| Surat Kadeeroj | |||
Second Unit Director or Assistant Director | |||
| Prompop Lee | .... | first assistant director | |
Sound Department | |||
| Amornbhong Methakunavudh | .... | sound | |
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| Blonde & Blonder II | San Paolo | Vaah! Life Ho Toh Aisi! | The Devil Wears Prada | Lage Raho Munna Bhai |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Thailand section | Add this title to MyMovies |
I absolutely loved this film!
Difficult to describe, but like a cross between AMELIE (France) (without the super expensive CGI), TASTE OF TEA (Japan) and perhaps a bit of CHUNGKING EXPRESS (Hong Kong) (with quieter cinematography instead of Chris Doyle's kinetic style.)
So visually rich it can even be enjoyed without subtitles, although what it has to say is important.
I can't wait to see this director's other films: TEARS OF THE BLACK TIGER, and particularly THE UNSEEABLE, a supernatural horror that is getting rave reviews.
This film was shot on HIGH-DEF, yet looks better that most American films shot on 35mm.
It just goes to show that it is not budget that determines a great film, but TALENT, HEART and VISION.