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| Parker Posey | ... | Fay Grim | |
| D.J. Mendel | ... | Father Lang (as DJ Mendel) | |
| Liam Aiken | ... | Ned Grim | |
| Megan Gay | ... | Principal | |
| Jasmin Tabatabai | ... | Milla | |
| Chuck Montgomery | ... | Angus James | |
| James Urbaniak | ... | Simon Grim | |
| John Keogh | ... | Prosecutor | |
| Claudia Michelsen | ... | Judge | |
| Jeff Goldblum | ... | Agent Fulbright | |
| Leo Fitzpatrick | ... | Carl Fogg | |
| J.E. Heys | ... | Herzog | |
| Aminata Seck | ... | Woman Visitor at Prison | |
| David Scheller | ... | Convict Husband | |
| Aoibheann O'Hara | ... | ER Nurse | |
| Harald Schrott | ... | Andre | |
| Miho Nikaido | ... | Gnoc Deng | |
| Elina Löwensohn | ... | Bebe | |
| Peter Benedict | ... | Raul Picard | |
| Tim Seyfi | ... | Rabbi Todorov | |
| Hubert Mulzer | ... | Minister of Security | |
| Mehdi Nebbou | ... | Islamic Cleric | |
| Saffron Burrows | ... | Juliet | |
| Suzan Anbeh | ... | Concierge Paris Hotel | |
| Nikolai Kinski | ... | Amin | |
| Robert Seeliger | ... | Agent Hogan | |
| Thomas Jay Ryan | ... | Henry Fool | |
| Olga Kolb | ... | Stewardess | |
| Jef Bayonne | ... | French Drug Dealer | |
| Mohamed Makhtoumi | ... | Beaten Man in Paris | |
| René Ifrah | ... | Technician in CIA Van (as Rene Ifrah) | |
| Sibel Kekilli | ... | Concierge First Istanbul Hotel | |
| Erdal Yildiz | ... | Concierge Second Istanbul Hotel | |
| Adnan Maral | ... | Hassan | |
| Erkan Bektas | ... | Gesham | |
| Anatole Taubman | ... | Jallal | |
| Marko Lakobrija | ... | Jallal's Bodyguard | |
| Karim Cherif | ... | Istanbul Cop in Office | |
| Ercan Özcelik | ... | Istanbul Detective | |
| Yevgeni Sitokhin | ... | Russian Spy (as Jewgenij Sitochin) | |
| Mark Zak | ... | Saudi Spy | |
| Ian T. Dickinson | ... | British Spy (as Ian Dickinson) | |
| Korhan Onur | ... | Istanbul Cop in Street | |
| rest of cast listed alphabetically: | |||
| Armin Sauer | ... | Gang Member (uncredited) | |
Directed by | |||
| Hal Hartley | |||
Writing credits(in alphabetical order) | ||
| Hal Hartley | written by | |
Produced by | |||
| Julien Berlan | .... | line producer: Paris | |
| Mark Cuban | .... | executive producer | |
| Martin Hagemann | .... | producer | |
| Hal Hartley | .... | producer | |
| Ted Hope | .... | executive producer | |
| Mike King | .... | line producer: New York | |
| Jason Kliot | .... | producer | |
| Mike S. Ryan | .... | producer | |
| Joana Vicente | .... | producer | |
| Todd Wagner | .... | executive producer | |
| Maren Wölk | .... | line producer | |
| Özlem Yurtsever | .... | line producer: Istanbul | |
Original Music by | |||
| Hal Hartley | |||
Cinematography by | |||
| Sarah Cawley | (director of photography) | ||
Film Editing by | |||
| Hal Hartley | |||
Casting by | |||
| Anja Dihrberg | |||
Production Design by | |||
| Richard Sylvarnes | |||
Art Direction by | |||
| Susanne Hopf | |||
| Natalja Meier | |||
Costume Design by | |||
| Anette Guther | |||
| Daniela Selig | |||
Makeup Department | |||
| Kerstin Gaecklein | .... | hair stylist | |
| Kerstin Gaecklein | .... | makeup artist | |
| Nimet Inkaya | .... | makeup artist: Istanbul | |
| Theodora Katsoulogiannakis | .... | hair stylist: New York (as Theodora Kastsoulogiannakis) | |
| Theodora Katsoulogiannakis | .... | makeup artist: New York (as Theodora Kastsoulogiannakis) | |
| Helen Murphy | .... | makeup artist: Paris | |
| Barbara Ratke-Sieb | .... | additional hair stylist (as Barbara Radke-Sieb) | |
| Barbara Ratke-Sieb | .... | additional makeup artist (as Barbara Radke-Sieb) | |
| Heiko Schmidt | .... | key hair stylist | |
| Heiko Schmidt | .... | key makeup artist | |
Production Management | |||
| Christopher Edwards | .... | post-production supervisor: HDNet Films | |
| Gretchen McGowan | .... | executive in charge of production | |
| Birol Temizyer | .... | production manager: Istanbul | |
Second Unit Director or Assistant Director | |||
| Richard Böhringer | .... | second assistant director | |
| Scott Kirby | .... | first assistant director | |
| Damon Maulucci | .... | first assistant director: New York | |
Art Department | |||
| Friederike Beckert | .... | stand-by props | |
| Anne Grumbrecht | .... | art department trainee | |
| Dennis Hahn | .... | graphic artist | |
| Christoph Heinecke | .... | set dresser | |
| Nicolas Lefèbvre | .... | property master: Paris (as Nicholas Lefebvre) | |
| Tolga Pakman | .... | art director: Istanbul | |
| Tolga Pakman | .... | set dresser: Istanbul | |
| Florian Speidel | .... | set dresser | |
| Sascha Strutz | .... | property master | |
Sound Department | |||
| David Jung | .... | sound trainee | |
| Christian Lutz | .... | boom operator | |
| Paul Oberle | .... | sound equipment representative: Kortwich Film-Ton-Technik | |
| Paul Oberle | .... | sound mixer | |
| Matthias Schwab | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Adolf Wojtinek | .... | special effects supervisor (as Adolf Woijtinek) | |
| Bernd Wildau | .... | special effects foreman: Germany (uncredited) | |
Stunts | |||
| Armin Sauer | .... | stunt coordinator | |
| Rainer Werner | .... | stunt coordinator | |
| Joseph Beddelem | .... | assistant stunt coordinator (uncredited) | |
Casting Department | |||
| Youna De Peretti | .... | extras casting: Paris | |
| Bernhard Karl | .... | casting | |
| Antje Mibbach | .... | extras casting | |
| Christine Rennert | .... | extras casting | |
Costume and Wardrobe Department | |||
| Asli Altan | .... | assistant costumer: Istanbul | |
| Asli Altan | .... | assistant wardrobe: Istanbul | |
| Virginia Cook | .... | wardrobe supervisor: New York | |
| Diana Güven | .... | on-set wardrobe | |
| Lilli Heinemann | .... | costume trainee | |
| Cecile Maillot | .... | wardrobe assistant: Paris | |
| Ruby Riad | .... | on-set wardrobe | |
Editorial Department | |||
| Kyle Gilman | .... | assistant editor | |
| Christopher Weser | .... | editorial assistant | |
Music Department | |||
| Tracy McKnight | .... | executive soundtrack producer | |
Thanks | |||
| Morgan Blackmore | .... | thanks | |
| Victoria Cook | .... | thanks | |
| Frank Frattaroli | .... | thanks | |
| Steve Hamilton | .... | thanks | |
| Ted Hope | .... | thanks | |
| Marlene McCarty | .... | thanks | |
| Lisa Porter | .... | thanks | |
| Adam Rackoff | .... | thanks | |
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| The Sum of All Fears | The Bourne Ultimatum | Ocean's Twelve | Center of the Web | The Bourne Identity |
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Perhaps I would have liked this film more if I wasn't so attached to the characters in Henry Fool. To those who've never seen Henry Fool, I wouldn't worry. As Hartley jokingly said in his introduction to the film at TIFF, the film has lots of exposition and explanations.
This film is very heavy in plot, which keeps the film moving. There are many humorous moments and the film certainly has Hartley's trademark humour and rhythm of dialogue. Over all, a technically well made film and sure to satisfy new fans of Hartley who are just beginning explore his work. As for the older fans who loved his earlier works like Trust and Amateur, this film could go either way. I have mixed feelings about the film and Hartley's later films in general. What Hartley does best is setting his stories in small situations, focusing on the intimate and idiosyncratic ways in which his characters interact with each other. Since his late 90s and onward, his films have widened in scope in terms of subject matter. Mass media in No Such Thing, Religion in the Book of Life and now Terrorism in Fay Grim. I don't know if Hartley's talents are suited to such big subject matter or if he's able to do it justice.
Strangely enough, the film can still be reduced to intimate relationships, a simple love story about a woman who goes to seek out the husband she loves. The only problem is, I've seen Henry Fool and everyone seems incredibly out of character in this film. You can tell this film was written long after Henry Fool was finished without any intention of a sequel. Somehow, the terrorist plot feels conveniently tacked on through the use of Henry's books of confessions as a macguffin (in the hitchcockian sense). Fay's motivations for finding Henry seemed motivated purely by the needs of the plot rather than what being faithful to who fay was as person in Henry Fool.
I guess I'm slightly disappointed in the film because it's not true to the characters in the Henry Fool and it doesn't exactly work as a straight ahead thriller. There's too much irony and wryness in Hartley's approach to such as big topic as terrorism. It somehow works and doesn't work at the same time. All I could say, you would either love or hate the film depending on your take on Hartley's work and how well you know Hartley's work. Fans of Henry Fool, be severely warned for a disappointment. For the rest, welcome to the world of Hal Hartley and enjoy the ride.