A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.
Odette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a ... See full summary »
A "Reformed Colonel" is found dead in Paris, a couple of decades after Algeria's struggle for independence was won from France. Lieutenant Galois is assigned the investigation of this ... See full summary »
Cécile De France
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow ... See full summary »
Cécile De France,
Frédérique's mother has died recently leaving her the family stud farm. She's never met her father, doesn't even know his name. But she finds it on the back of an old photo. She sets off ... See full summary »
Armand Lebrecq once dreamed of becoming a magician but he has become a pharmacist. He still loves his wife, Hélène, but wouldn't mind leaving her to live with Alix, a strong-minded woman. ... See full summary »
Jessica, raised by her grandmother, comes to Paris and gets a job at a bar across from a performance complex where a play, a concert, and an art auction will occur the same evening. It's a world in flux: the play's star wants off a popular TV soap that's made her rich, and she covets the lead in a film about de Beauvoir and Sartre; the pianist hates the concert circuit, but his wife who's his manager may leave him if he quits; a self-made widower with a girlfriend less than half his age is selling his collection of modern art - his son, a professor, objects to his father's love life. The stage manager at the complex is resigning after 30 years. Jessica sets the tone for how all plays out. Written by
When Dupontel (Jean-François Lefort) gives his concert and takes off his shirt and jacket they change places, first in front of the long end of the piano then in the next cut much closer to the keyboard end. See more »
Before end credits: "À Suzanne" (dedicated to Suzanne Flon who died at 87 shortly after filming was completed), as we hear an off-screen quote by her - taken from earlier in the film - where the elderly character she plays serenely states that she had a good life. See more »
"The question is, what's this all about, and why must we concern ourselves with the 'predicaments' of people who from the looks of it are so singularly fortunate in life?" (Chris Knipp).
Chris Knipp, no offence, hasn't understood the movie's main idea at all. This, in my experience, is what the movie is all about the separation between "high class" classical music and life. Classical music, as all music, stems from life itself, is inspired and shaped by it. One can see how, exemplified by the pianist, this form of human expression is put in the strait-jacket of so-called "high culture". Said pianist is fortunate indeed to have his talent, but he's hardly able to breathe, to enjoy and live his talents because he's made to put up a show, to dance to the tune of what he himself calls "the system".
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