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The synopsis: Clara Sheller lives with his/her best friend JP. Both
about thirty, they share the same desires and fear, and have a common
dream: to find the dream man. A single series, a shifted and ironic
tone... Which pleasure of finding during six episodes Clara (Melanie
Doutey) full with contradictions and ideals and a JP (Frederic
Diefienthal) filled of doubts and dreams. A series as one would like to
see some more often, who, while tackling subjects of topicality
(homosexuality, bisexuality, abortion...), gives smile and hope.
This series is so fresh, the story of a Parisian girl with troubles,
like anybody else. I like the monologue that she makes, I feel so
identify with her character.
This series develops in 6 episodes on the first season, I'm just
waiting the second season!
If you know the (Erasure) song, you are old enough to understand this
series.
If you don't know why you hate certain people, and you've got the
feeling it's got something to do with hysteria, watch this series now
:)! Mélanie Doutey is too nice for the role, whereas Zoé Félix is right
on track for this role. She's hysteria incarnate, but as her features
are not that perfect, you can focus more on how dumb, manipulative and
"emotional all the time" she is. Did I mention "selfish"? She's the
best at that. Just an example: when her stunning mum, now with cancer,
is kicking her out of her house, all she has to say is: "But you're
going to die!" (meaning "I'll miss you, you need me, can I stay a
little longer?). Maybe the fact that she's hateable is her success, and
what she wants. If so, she deserves an Oscar :). The ending of the
series is just another instance of her constant provocations.
This series is filled with French (parisian) psychoanalysis. As I live
in BA, Argentina, this comes as no surprise, but I suppose it's kind of
unusual for... the rest of the World :). The episode "Le mystère du
catogan" in fact deals with Clara and Gilles's psychoanalysis, with a
Freudian coach and everything. They even analyze their dreams at
length, and Clara about arcane concepts like "penis envy" and
incestuous relations at the family gathering like an American would
about, I don't know, their latest home theater :). By the way, had
Freud got Clara as a patient... he'd written a more readable case book
about hysteria :)! Music is perfect (for the series). The "main title"
we get to hear before each episode is as addictive as it's simple. I
ended up wanting to watch the titles, I guess I was "conditioned" to
the simple beauties of a TV series with people just struggling to be
happy, without ANY "message". Clara is endowed with good lines,
frequent and timely "philosophical reflections", literary summaries of
what happens to everybody else. And she's given the best lines when
there are arguments etc. (which seems to be pretty often).
Nevertheless, even this is too funny and frivolous to be taken
seriously.
Paris is shot extremely well, it comes to the rescue when it's being so
dumb you want to turn off the TV & give back the cable TV decoder :).
It feels modern and new, unlike other similarly modern series. I am
thinking about "Le silence de l'epervier" (2008, same year), but there
are many others, who seem to be XIX century prose like Balzac's in
comparison. Patrick Mille is the character I like the most. He's got
the hell of a role to play, a very nice person, witty but not too much,
who makes mistakes like all the others in the cast but at least is not
screaming for attention. Christophe Malavoy's Bertrand is probably the
most intelligent character. While being a secondary role, when he
speaks... behold :)! Again, him being unassumingly intelligent is what
gives him force. Frédéric Diefenthal did a JP almost as good. If you
saw him at "Pas de panique", you'll enjoy him making such a different
role here. Julie Judd, who plays there his virtuous and materialistic
"beautiful blonde girlfriend", is here again, in a much more subdued
role, which she carries off naturally, good proof she is a good actress
when well directed &/ given a decent character :). François
Vincentelli's Gilles doesn't transmit anything to me. Thierry Neuvic's
is much better as the "piece of meat/ hunk".If you can't stand the idea
of gay people, don't watch this, for it's a topic as natural as smoking
in this series.
Some things are better left not analyzed, this is definitely the case
with the "bad teenager who doesn't want to grow old" Clara. Notice she
lives at Gilles, then at her mum's (always "dependent"), until
finally... Not for the morally jaded, for homosexual and bisexual love
is given ample screen time. Enjoy like a bubblegum.
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