When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A serial killer in the San Francisco Bay Area taunts police with his letters and cryptic messages. We follow the investigators and reporters in this lightly fictionalized account of the true 1970's case as they search for the murderer, becoming obsessed with the case. Based on Robert Graysmith's book, the movie's focus is the lives and careers of the detectives and newspaper people. Written by
The shooting script was 200 pages long. To combat any problems with overlength that might be caused by such a big script, David Fincher decided to make his actors speak faster. See more »
The livery of the United Airlines airplanes shown in the establishing shot of Ontario Airport was incorrect, in the 1991 scene. At that time, United Airlines planes had the first Saul Bass ("rainbow") livery, which was white with orange, red, and blue stripes. The liveries on the planes shown in this shot are the "Mainliner" livery, which the airline had retired, in the mid-1970's, in favor of the Bass design. See more »
I am tired of people writing comments like this, "Not Fincher's best". Honestly who cares. We all agree that Fincher's best is either Seven or Fight Club, two outstanding masterpieces. There is a big margin between a film like one of those and a terrible film, and people don't seem to realize that. These people even do this with other filmmakers like Spielberg or Scorsese, the fact that these filmmakers don't reproduce Schindler's List or Raging Bull doesn't mean that their new stuff isn't good, or worth seeing. I think it is a stupid way to comment on a film, eliminating the critic's credibility. I was lucky enough to catch an advanced screening of Zodiac last night, and I must say that at first I was discouraged by two things, some of the comments I have read and the running time. However I am glad to say that I enjoyed this film, very much. It is a solid suspense thriller that pins you to your seat. Being a true story adds quite a lot to the experience, and besides, Fincher did a wonderful job is staying loyal to the story and at the same time adding his unique flavor to it. The cinematography, like every Fincher film, is great, the darkness and griddiness of the story are perfectly portrayed in the film's visual elements. I was surprised by the picture quality of the Viper, the digital camera with which this film was shot. Many people have been criticizing this choice, but I respect it, he is embracing a new technology and making it work. Of course its still not a match to 35 mm, but if quality filmmakers don't start experimenting with it, it will never be. Now the reason why this film falls behind Seven and Fight Club, I think, is because of a problem with the characters. They seem to be a little weak at times. The performances were great, especially Robert Downey Jr., but I think that this film falls short, when it comes to a true exploration of complex characters, which is the key to Fincher's previous films.
So... my advice to everyone is to ignore most of the negative comments and see the film yourself. I found it to be a great story told in a remarkable way, very entertaining, with great performances, and wonderful direction.
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