The X Files: I Want to Believe (2008) Poster


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When Mulder and Scully first walk back into the FBI offices right before they walk into the bullpen, a female agent walks by that catches Mulder's attention and he watches her walk away. The woman is Vanessa Morley, who throughout the series played the young Samantha Mulder, and is the same Samantha in the photo Mulder has taped to the back of his home office door.
Chris Carter originally planned to make this movie right after the end of the TV series, and use it to end the alien invasion storyline. Since production was delayed for over five years, Carter decided to focus on a standalone mystery in order to make the movie appealing to people who weren't familiar with the show's mythology, leaving the invasion subplot for a possible third film.
This movie is dedicated to Randy Stone, the casting agent who cast the pilot of The X-Files (1993), and who found David Duchovny to play Mulder and Gillian Anderson to play Scully. Stone died in 2007.
Gillian Anderson told The New York Times that it was harder than she expected for her to get back into character as Scully to make this movie after five years had passed since the end of the television show. The Times quoted her as saying, "I walked in thinking, it's going to be like riding a bicycle. It wasn't. It was like riding a [fucking] unicycle. I'd been trying so hard to stretch myself in other roles, and to catch myself when I did anything that remotely resembles Scully, that when I was put back in the ring with her, my brain started misfiring."
At the end of the scene where Scully is discussing the options for her patient with the hospital administrators, on the wall behind her are several photographs of priests. The last one is a photograph of actor Bruce Harwood who played John Fitzgerald Byers, one of the three Lone Gunmen from both The X-Files (1993) and its spin-off series, The Lone Gunmen (2001).
When Scully first visits Mulder in their rural home, Mulder is tacking up a story titled "Princeton closes ESP Lab after 40 years of paranormal study" This refers to a real-life event. The Princeton Engineering Anomalies Research facility (PEAR) closed in 2007 after school administrators felt continued funding was unjustified. The lab's original mission was to investigate possible phenomena for the defense industry, such as if the minor electrical field present in the human body could interfere with sensitive electrical equipment when the body was placed under extreme stress (ex. a fighter pilot involved in a dogfight causing his controls to malfunction). While the lab failed to provide conclusive evidence that such things could happen, large-scale experiments showed a statistically detectable influence. Other PEAR experiments included such things as remote perception.
Production was kept under a tight veil of secrecy in order to keep plot details from leaking to the public prior to its release. "Done One" was the working title during filming, complete with logo. The Directors Guild production list named "Rich Tracers" as the project's attached director, an anagram of Chris Carter, the actual director's name. A fake production company name, "The Crying Box Productions," was used in work orders and information sheets. Fake scripts were produced for actor auditions. On any particular day of filming, only the pages required for that day's scenes were distributed, and were then collected and shredded at the end of the day.
Mitch Pileggi stated at a convention that the films plot was so top secret that he didn't find out that his character Walter Skinner was in the film until filming was well under way. He also joked that he could ask for as much money he wanted as filming took place during the writers strike, meaning he couldn't be written out.
David Duchovny was not a fan of his (fake) beard. He found it itchy and if they were spending a long time on a scene under the hot studio lights, it would start to melt.
The television show upon which this movie is based filmed its first 5 seasons in Vancouver, British Columbia, Canada. It often used local Canadian actors in guest and secondary roles, reusing the same actors in different parts in multiple episodes. For example, Alex Diakun, Lorena Gale, and Stephen E. Miller each appeared as different characters in three episodes; Miller also appeared in the pilot. Sarah-Jane Redmond, Stacee Copeland, and Callum Keith Rennie each appeared as different characters in two episodes. Rennie was also the original choice to play the long-running character Alex Krycek. Production moved to Los Angeles for seasons 6-9. The film was shot in Vancouver, and producers recast many of the same actors they had used so often on the show. Several other secondary and tertiary movie cast members had also appeared on the show as other characters.
Mulder, Scully, and Skinner all enter the film with the camera behind them rising to eye level.
The Rottweiler who portrayed the two-headed dog was named Okie. The second head (an appliance attached to the dog with Velcro) was nicknamed Dokey.
Gillian Anderson got pregnant with her third child making this movie. He was the second baby she had when she was working in The x files. Both of them have names related with the series. One episode of the series was named after her daughter Piper, and her son's name, Felix, is an anagram of "X File". In addition she has another child, Oscar Griffiths, whose name was chosen for one of the characters of the last episode of season 10, My Struggle 2.
When Mulder tries to call Scully from his cell phone, the display shows two names above hers and one name below. The two names above are Bowman and Gilligan, which can only be references to Rob Bowman (director of the first movie and several episodes) and Vince Gilligan (writer-producer of the show). The name below is Shiban, a reference to John Shiban (another writer-producer).
Chris Carter and Frank Spotnitz settled on the subtitle "I Want to Believe" really quickly into the writing stage as it was a natural phrase with deep resonance for all X-Files fans. (It's written on a poster that hung on the X-Files office wall for the duration of the series.)
At one point, Rob Bowman was interested in returning to direct the sequel to the original 1998 film. Bowman had directed multiple episodes of the TV series.
Billy Connolly's blood tears are CGI.
Mulder visits the Nutter feed store. David Nutter directed many episodes of the series.
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When Scully opens Franz Tomczeszyn's rural mailbox, she reads the address of a bill for body parts and medical supplies. The address is on Bellflower in Somerset, West Virginia. Director, Chris Carter's hometown is Bellflower, CA. In 1869, most of the land comprising Bellflower was known as Somerset Ranch.
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Virtually the entire crew had not read the script when they were making the film. Such were the levels of intense secrecy over the screenplay that only three copies were ever kept at 20th Century Fox, and they were firmly under lock and key. Deliberately false details were also printed on each day's call sheets to hoodwink anyone who might acquire and therefore leak any information about the film onto the internet.
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The scene in which Scully is in bed and cannot sleep begins exactly the same as, and at about the same time stamp as, a scene in The X Files (1998) where she also cannot sleep.
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When Mulder and Scully are talking in bed, the book lying next to Scully's pillow is "Beautiful WASPs Having Sex" by Dori Carter, Chris Carter's wife.
Not the first time Mulder and Scully have had dealings with dubious psychics. The most famous examples from The X-Files (1993) canon would be Luther Lee Boggs (Brad Dourif) from the Season One episode "Beyond the Sea" and the titular hero played by Peter Boyle in the Season Three episode, "Clyde Bruckman's Final Repose".
To help him prepare for directing his first feature film, Chris Carter boned up on the techniques of several leading films, chief among which was Steven Spielberg's Munich (2005).
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The script was written specifically for the British Columbia locations of Vancouver and Pemberton where much of the TV series was filmed.
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The character named Franz Tomczeszyn has the same surname as costume designer Lisa Tomczeszyn.
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In the Spanish version, Scully is not dubbed by the actress that used to do it during the entire series and the first movie, Laura Palacios.
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After having moved from Vancouver to Los Angeles for four years at the beginning of the sixth season, the production returned to Vancouver recovering for this film the fantastic, unique and oppressive atmosphere of the first years.
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Joseph Patrick Finn: producer of many X-files episodes, is the whispering priest seated next to Father Ybarra during the staff meeting where Scully first mentions using Stem Cell therapy.

Director Cameo 

Chris Carter: sits on a bench outside Scully's office. He is holding an urn containing the ashes of his dog, Frankie, who died during filming.


The trivia items below may give away important plot points.

Both X-Files movies take place when the X-Files department has been closed down. The first movie, The X Files (1998) ends with the department being re-opened; in this film the X-Files have been closed for some years.
Head transplants - as depicted in the film - have actually been performed. They have been legitimately performed on monkeys.
In the climax of the movie, when Skinner finds Mulder wounded, Mulder tells him: "cold, I'm cold", so he hugs him. This is exactly the same that happens in FTF when Mulder rescues Scully from having an alien inside her.
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