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The X Files: I Want to Believe (2008)

PG-13  |   |  Drama, Mystery, Sci-Fi  |  25 July 2008 (USA)
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Ratings: 5.9/10 from 73,719 users   Metascore: 47/100
Reviews: 486 user | 266 critic | 33 from Metacritic.com

Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.


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Cast overview, first billed only:
Agent Mosley Drummy (as Alvin 'Xzibit' Joiner)
2nd Abductor - Janke Dacyshyn
2nd Victim - Cheryl Cunningham
Fagin Woodcock ...
1st Abductor - Franz Tomczeszyn
Marco Niccoli ...
Spencer Maybee ...


Fox Mulder and Dana Scully both worked at the FBI as partners, a bond between them that led to their becoming lovers. But now they're out of the FBI and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder's focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder's expertise and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing FBI agent. Written by J. Spurlin

Plot Summary | Plot Synopsis


To find the truth, you must believe. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for violent and disturbing content and thematic material | See all certifications »

Parents Guide:






| |

Release Date:

25 July 2008 (USA)  »

Also Known As:

The X Files 2  »

Box Office


$30,000,000 (estimated)

Opening Weekend:

$10,021,753 (USA) (25 July 2008)


$20,981,633 (USA) (3 October 2008)

Company Credits

Show detailed on  »

Technical Specs


| (director's cut)

Sound Mix:

| | (uncredited)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


In the Spanish version, Scully is not dubbed by the actress that used to do it during the entire series and the first movie, Laura Palacios. See more »


In one scene in West Virginia, a sign for "United Petroleum Products Inc." appears. That is a Canadian company which does not operate in the United States. See more »


Fox Mulder: What's up, Doc?
See more »

Crazy Credits

The end credits contain a dedication to Randy Stone. See more »


References E.T. the Extra-Terrestrial (1982) See more »


Ooh La La
Written by Deborah Poppink and Amy Roegler
Performed by Deborah Poppink
Courtesy of Deborah Poppink, by arrangement with Bug
(can be heard in Monica Bannan's car)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

No Country for Old X-Files
27 July 2008 | by (New Jersey, USA) – See all my reviews

The world is a greatly changed place since the heyday of "The X-files." Back in the late 1990's the TV show was at its height and tapping into the shared fears of the day: fear of the unknown, fear of the impending millennium, and fear that something larger than us (the government or alien invaders) was up to no good. Flash forward to the year 2008 and we know all that hubbub about the millennium was for nothing, our government has been up to no good for years, and it's not space invaders we need to worry about but other people terrorizing us. The murky, gloomy, grim style of "The X-Files" is now the norm with feverish and dark films like "There Will Be Blood" and "The Dark Knight" tapping into the mindset of culture today from opposite ends of the film spectrum.

Apparently creator Chris Carter didn't realize his baby was irrelevant now. His only mission should've been to please the faithful. If he wanted to revive his series on film, he had best stick to the labyrinthine alien mythology that still has some die-hard fans buzzing, or at the very least deliver a fun stand-alone monster-of-the-week style flick that would make fans jump in their seats. With "The X-Files: I Want to Believe" he does neither of those things. Instead, he gives us a story where Mulder and Scully come out of hiding to work on a case where the FBI are using a psychic criminal priest to help locate a missing agent and track down a potential serial killer. The plot fits more into the mold of his far less popular companion series "Millennium" than it does to "The X-Files." Apparently Carter wanted to please no one except perhaps himself.

The weirdest thing about the film is that it isn't all that bad. Carter as a director lays on some decent atmosphere (with all the global-warming defying snow and some eerie nighttime shots) and creates some palpable tension as the horrors of the case grow grimmer. The chemistry between Mulder (a lazy but effective David Duchovny) and Scully (an amazingly fully ranged and emotional Gillian Anderson) is still there, and Anderson's performance is especially gripping. Billy Connolly, cast against type, gives an interesting turn as the corrupted priest searching for redemption through his visions that probably would've garnered an Emmy nod had this been a very special two-part TV episode. Also good is Amanda Peet, looking smashing in her smart FBI pantsuits.

Most interesting is the story arc given Dana Scully. I honestly had stopped watching the show after the sixth season, and aside from the mythology storyline that built up to the first film released ten years ago, I recall some of my favorite episodes being the ones where Scully questioned her faith and struggled with reconciling her Catholicism with her scientific approach to the paranormal investigations. This is again explored here, as Scully, always the skeptic, so desperately wants to believe in something. However, it's an odd choice for Carter to focus on this internal human drama when he should be focusing on how to bring fans back into the fold. It would've been an interesting and compelling layer had Carter not been so inept with the rest of the plot.

In the end some fine performances and a moody atmosphere do not add up to a good time. Eventually it becomes an uncomfortable and anachronistic creep-fest that plays like the type of suspense thriller that ruled the roost in the mid-1990's after films like "Silence of the Lambs" and "Seven" made police detection and serial killing popular entertainment. Well, it's 2008, Mr. Carter, and it's time to wake up from your prolonged nightmare that was rendered uninteresting in 2001.

196 of 306 people found this review helpful.  Was this review helpful to you?

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