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Two FBI agents, Fox Mulder the believer and Dana Scully the skeptic, investigate the strange and unexplained while hidden forces work to impede their efforts.
Stars:
David Duchovny,
Gillian Anderson,
Mitch Pileggi
Spin-off of The X-Files featuring the trio of computer-hacking conspiracy geeks popularly known as The Lone Gunmen. Never ones to stray far from the center of corporate and government ... See full summary »
A firefighting cadet, two college professors, and a geeky-but-sexy government scientist work against an alien organism that has been rapidly evolving ever since its arrival on Earth inside a meteor.
Director:
Ivan Reitman
Stars:
David Duchovny,
Orlando Jones,
Julianne Moore
Interviews with the cast and crew and behind the scenes footage from the making of X-Files Movie. Also hear from famous fans of the show. Plus get the scoop on soundtrack, including a ... See full summary »
Director:
Thomas C. Grane
Stars:
Martin Landau,
Gillian Anderson,
Chris Carter
Fox Mulder and Dana Scully both worked at the FBI as partners, a bond between them that led to their becoming lovers. But now they're out of the FBI and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder's focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder's expertise and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing FBI agent. Written by
J. Spurlin
When Mulder and Scully are talking in bed, the book lying next to Scully's pillow is "Beautiful WASPs Having Sex" by Dori Carter, Chris Carter's wife. See more »
Goofs
Scully and Mulder fly in on a helicopter from their house. The rotor is still turning after they land and exit the helicopter, but Scully's and Mulder's hair remain in place. In the next shot, they walking away from the helicopter with the rotor still turning. The rotor wash would blow their hair around. See more »
Quotes
Fox Mulder:
Don't give up.
[he pauses as he follows Scully to her car]
Fox Mulder:
Why would he say such a thing to you?
Dana Scully:
I think that was clearly meant for you, Mulder.
Fox Mulder:
He didn't say it to me; he said it to you.
Dana Scully:
Umm...
Fox Mulder:
If Father Joe were the devil, why would he say the opposite of what the devil might say?
[she doesn't reply, though clearly attempting to rationalize]
Fox Mulder:
Maybe that's the answer, in a larger answer.
Dana Scully:
What do you mean?
[...] See more »
Crazy Credits
The end credits run over images of ice, water and land, and finally we see Mulder and Scully in a small row boat off of a tropical beach. Scully in a bikini, Mulder rows, and they wave to the camera above. See more »
The X-Files Theme (UNKLE Remix)
(1998)
Composed by Mark Snow
Remixed by Unkle (as UNKLE)
UNKLE performs courtesy of Surrender All Ltd.
By Arrangement with Zync Music See more »
While this movie will not please casual theater-goers looking for mindless entertainment, exploding buildings and high speed car chases, it is an excellent and long-awaited episode in the classic X-Files television series. Fans of the series will enjoy it as an extended "monster of the week" episode, but people who aren't familiar with the show can still enjoy this work on its own merits - though only if they're prepared to go a bit outside their comfort zone. There is nothing comforting or even comfortable about this movie.
In grand X-Files tradition, the movie raises as many questions as it answers, and it asks some very disturbing and thought provoking questions. Can God truly speak for good through a disgraced and defrocked priest? Does his counsel actually save a sick child, or only cause needless suffering? Is the advice meant to apply to Scully's situation at all, or Mulder's, or to both of them? As usual, the answers are left for the fans to think about. And it does make you think. That apparently isn't an easy or comfortable exercise for critics, which is unfortunate as I think many of the negative reviews have entirely missed the point.
Mulder and Scully are unrelieved grim and gloomy throughout, preoccupied with the sad and sometimes truly horrific events happening all around them. This shouldn't surprise X-Files fans any, but it was undoubtedly a factor in the critics panning the movie. As always, Mulder and Scully can still depend on each other, though the tensions between them threaten to pull them apart. I would have liked to see even a few brief moments of Scully's satisfaction at accomplishing something for good with her current situation, but even that was denied in favor of a despairing vision of the darkness surrounding them. In fairness, there is a ray of light at the end of that tunnel, though it takes quite awhile for the movie to get there.
The only really atrocious flaw I found in the movie was having a presumably highly skilled professional sit down to research a complex and advanced operation on Google the night before performing it. Granted, showing Google is big screen shorthand for "this person is doing research online", but that's definitely the wrong place to do it.
This said, the movie was greatly enjoyable. It was a thinker's movie, a cop crime drama with a gritty real-world feel that asks uncomfortable and provoking questions about the nature of God and man. It would make an excellent book with some real literary merit, which is not something that can be said about very many movies. I give it a big thumbs-up and recommend it to people who want some serious thinking with their crime drama.
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While this movie will not please casual theater-goers looking for mindless entertainment, exploding buildings and high speed car chases, it is an excellent and long-awaited episode in the classic X-Files television series. Fans of the series will enjoy it as an extended "monster of the week" episode, but people who aren't familiar with the show can still enjoy this work on its own merits - though only if they're prepared to go a bit outside their comfort zone. There is nothing comforting or even comfortable about this movie.
In grand X-Files tradition, the movie raises as many questions as it answers, and it asks some very disturbing and thought provoking questions. Can God truly speak for good through a disgraced and defrocked priest? Does his counsel actually save a sick child, or only cause needless suffering? Is the advice meant to apply to Scully's situation at all, or Mulder's, or to both of them? As usual, the answers are left for the fans to think about. And it does make you think. That apparently isn't an easy or comfortable exercise for critics, which is unfortunate as I think many of the negative reviews have entirely missed the point.
Mulder and Scully are unrelieved grim and gloomy throughout, preoccupied with the sad and sometimes truly horrific events happening all around them. This shouldn't surprise X-Files fans any, but it was undoubtedly a factor in the critics panning the movie. As always, Mulder and Scully can still depend on each other, though the tensions between them threaten to pull them apart. I would have liked to see even a few brief moments of Scully's satisfaction at accomplishing something for good with her current situation, but even that was denied in favor of a despairing vision of the darkness surrounding them. In fairness, there is a ray of light at the end of that tunnel, though it takes quite awhile for the movie to get there.
The only really atrocious flaw I found in the movie was having a presumably highly skilled professional sit down to research a complex and advanced operation on Google the night before performing it. Granted, showing Google is big screen shorthand for "this person is doing research online", but that's definitely the wrong place to do it.
This said, the movie was greatly enjoyable. It was a thinker's movie, a cop crime drama with a gritty real-world feel that asks uncomfortable and provoking questions about the nature of God and man. It would make an excellent book with some real literary merit, which is not something that can be said about very many movies. I give it a big thumbs-up and recommend it to people who want some serious thinking with their crime drama.