A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on... See full summary »
50 years of struggling with her own family's identity, Rose realizes she must conquer her fears of rejection or continue living her photographic fantasy, hiding behind the strangers she ... See full summary »
An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV ... See full summary »
Harry Dean Stanton,
Poet and pundit Andrei Codrescu (Road Scholar 1992) is once again taking the pulse of America, trading his Cadillac convertible for a variety of water craft as he explores, with typical ... See full summary »
This is a documentary that can fool you. It starts as a seemingly rambling, shapeless portrait of the great photographer. It has dull sections, particularly early on, as we spend a lot of time watching Eggleston rambling around looking for images. Almereyda's somewhat sophomoric attempts to 'explain' the meaning of Eggleston's work via narration seem shallow and silly. But then, as the film goes along, and we see more of Eggleston's images, what seemed boring earlier becomes more interesting in retrospect. When we see the finished images, the process we watched first gathers meaning. And the director's inclusion of Eggleston's withering dismissal of Almerydea's philosophizing makes us realize the filmmaker knows and accepts his own inability to define 'art'. Not quite a great film, but an interestingly complicated one that's not only about a photographer, but also the process of art, the nature of trying to document that process, and the impossibility of putting a visual medium into words.
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