This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of ... See full summary »
A year after Hurricane Katrina, Henry, a surgeon in the affluent Garden District of New Orleans, is attempting to get his life back on track. He is remarrying his ex-wife, renovating her ... See full summary »
Jason Butler Harner
EVERYBODY STREET, directed by Cheryl Dunn, illuminates the lives and work of New York's iconic street photographers - including Bruce Davidson, Mary Ellen Mark, Elliott Erwitt, Ricky Powell... See full summary »
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
This is a documentary that can fool you. It starts as a seemingly rambling, shapeless portrait of the great photographer. It has dull sections, particularly early on, as we spend a lot of time watching Eggleston rambling around looking for images. Almereyda's somewhat sophomoric attempts to 'explain' the meaning of Eggleston's work via narration seem shallow and silly. But then, as the film goes along, and we see more of Eggleston's images, what seemed boring earlier becomes more interesting in retrospect. When we see the finished images, the process we watched first gathers meaning. And the director's inclusion of Eggleston's withering dismissal of Almerydea's philosophizing makes us realize the filmmaker knows and accepts his own inability to define 'art'. Not quite a great film, but an interestingly complicated one that's not only about a photographer, but also the process of art, the nature of trying to document that process, and the impossibility of putting a visual medium into words.
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