The last months of Jesse James's life, from meeting Robert Ford, a 19-year-old who idolizes Jesse, to the day Ford shoots him. Jesse's a wanted man, living under a pseudonym, carrying out a train robbery, disappearing to Kentucky, and reappearing to plan a bank holdup with Robert and Robert's brother as his team. The rest of the gang is dead, arrested, or gone from Missouri. Whenever Jesse's around, there's tension: he's murderous, quixotic, depressed, and cautious. Ford wants to be somebody and wants the reward. On April 3, 1882, things come to a head: Jesse is 34, Robert 20. Ford becomes famous, reenacting the shooting on stage, facing down the label "coward," shot dead in 1892. Written by
Cinematographer Roger Deakins reckons that the arrival of the train in darkness is one of the high watermarks of his career. See more »
Arguably, the term "motor" was not widely used. It was defined as, "machine that supplies motive power" in 1856. To engineers, it is a term for machines that are electrically or tension-fed (as in springs) and "engines" supplied by chemical means or processes (internal combustion or steam). At that time, the only commonly known use of "motors" is in toys...which may be why Jesse (or the culture at the time) used the term, "motor" for what is happening inside a person's (Robert, in this case) head--including the mention of gears.
In the scene where Jesse is planning the Platte robbery, Jesse refers to Robert's fear as, "motor." (Arguably), the term should have been more closer to Jesse's experience by referring Roberts fear as, "engine" because the most common "machine that supplies motive power" that Jesse has the most familiarity with would be the steam engine. "Motor" and "engine" have been misused so much that they are now interchangeable in the dictionary. See more »
He was growing into middle age, and was living then in a bungalow on Woodland Avenue. He installed himself in a rocking chair and smoked a cigar down in the evenings as his wife wiped her pink hands on an apron and reported happily on their two children. His children knew his legs, the sting of his mustache against their cheeks. They didn't know how their father made his living, or why they so often moved. They didn't even know their father's name. He was listed in the city ...
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The film does not contain either an opening title nor intro credits. The film title is displayed first after the final fadeout. See more »
This movie was quite simply AMAZING! Oscar worthy performances from Affleck, Pitt, and Rockwell-Oscar worthy cinematography-Oscar worthy directing. Hate me if you want, but the pacing was perfect. I was glued to my seat. The best part about this movie is that it could have easily been a set up for failure given how slow the story is, but the tension created by each actors performance left me wanting more. The last thing the world "needs" is another typical, gun slinging western. This is by far the best movie I've seen all year.
P.S. for any little Ben Affleck fans... I just have one thing to say, his brother just made him look like a joke.
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