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The Assassination of Jesse James by the Coward Robert Ford (2007)

7.6
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Ratings: 7.6/10 from 118,883 users   Metascore: 68/100
Reviews: 389 user | 264 critic | 32 from Metacritic.com

Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

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(screenplay), (novel)
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Title: The Assassination of Jesse James by the Coward Robert Ford (2007)

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Nominated for 2 Oscars. Another 30 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dustin Bollinger ...
...
...
...
...
...
...
Joel McNichol ...
Express Messenger
James Defelice ...
Baggagemaster (as James DeFelice)
J.C. Roberts ...
Engineer
Darrell Orydzuk ...
Ukranian Train Passenger
Jonathan Erich Drachenberg ...
Young Train Passenger
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Storyline

The last months of Jesse James's life, from meeting Robert Ford, a 19-year-old who idolizes Jesse, to the day Ford shoots him. Jesse's a wanted man, living under a pseudonym, carrying out a train robbery, disappearing to Kentucky, and reappearing to plan a bank holdup with Robert and Robert's brother as his team. The rest of the gang is dead, arrested, or gone from Missouri. Whenever Jesse's around, there's tension: he's murderous, quixotic, depressed, and cautious. Ford wants to be somebody and wants the reward. On April 3, 1882, things come to a head: Jesse is 34, Robert 20. Ford becomes famous, reenacting the shooting on stage, facing down the label "coward," shot dead in 1892. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Beyond the myth lies America's greatest betrayal.


Motion Picture Rating (MPAA)

Rated R for some strong violence and brief sexual references | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

30 November 2007 (UK)  »

Also Known As:

The Assassination of Jesse James  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£180,886 (UK) (30 November 2007)

Gross:

$3,904,982 (USA) (25 January 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Andrew Dominik, Brad Pitt had it put in his contract that the name of the movie was not to be changed. See more »

Goofs

When the photographer photographs Jessie James's corpse, he replaces the lens cap on the camera and then thanks everyone for standing still. He then removes the film holder from the back of the camera and doesn't insert a dark slide to protect the sheet of film. Either the film would have gotten ruined, or if the dark-slide wasn't removed before taking the photo, no image would have been recorded. See more »

Quotes

[first lines]
Narrator: He was growing into middle age, and was living then in a bungalow on Woodland Avenue. He installed himself in a rocking chair and smoked a cigar down in the evenings as his wife wiped her pink hands on an apron and reported happily on their two children. His children knew his legs, the sting of his mustache against their cheeks. They didn't know how their father made his living, or why they so often moved. They didn't even know their father's name. He was listed in the city ...
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Crazy Credits

The film does not contain either an opening title nor intro credits. The film title is displayed first after the final fadeout. See more »


Soundtracks

Good Ol' Rebel Soldier
(uncredited)
Lyrics by Innes Randolph
Sung by Jeremy Renner
See more »

Frequently Asked Questions

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User Reviews

 
The Expectation of Applause
6 October 2007 | by (New Jersey, USA) – See all my reviews

"The Assassination of Jesse James by the Coward Robert Ford" is a handsomely mounted, film-school like study of the last days of the infamous James' Gang by director Andrew Dominik. Growing up in awe of Jesse James (Brad Pitt), Robert Ford (Casey Affleck) finally gets to live out his dream of living side by side with his idol when his brother, Charles (Sam Rockwell) joins the gang. Young Robert quickly learns that the exploits of the murderous train-robbers are far from the exciting flights of fancy he grew up reading about in newspapers and dime-store novels. A series of cowardly acts in the wake of double-crossings and humiliations ultimately lead to the titular event.

The style of the film is often visually arresting and downright disturbing, especially in the acts of violence, which leave the most gruesome parts slightly off camera, but are frequently shot and framed in such a way as to maximize shock value and leave an uncomfortable feeling of tension in the theater seats. Dominik sometimes relies too heavily on voice-over narration torn straight from the book upon which the film is based leaving us to assume that aside from dreadfully beautiful photography of passing clouds and desolate Midwestern landscapes, he wasn't always sure how he visually wanted to tell the story. This leads to a sometimes snails' pace as the plot unfolds, though the haunting Oscar-worthy cinematography from Roger Deakins and mesmerizing music score from Nick Cave and Warren Ellis eventually get under your skin even as the hands of the clock seem to move slower as if stuck in a pretty photograph of a nightmare.

The acting in the film is superb from all involved. However, the performances often blur the line between caricatured scenery-chewing and emotional nuance (especially from Pitt and Rockwell). While there is some entertainment to be found in the lighter scenes of camaraderie amongst the gang members, the audience never really feels anything for the characters aside from sharing their sense of paranoia and fear knowing that around any corner someone will be betrayed and shot. The film also suffers from some scene stealing cameos from James Carville as the governor hell-bent on catching Jesse and the otherwise lovely Zooey Deschanel, who appears out of nowhere for a few moments about ten minutes after the film should have rightfully ended.

When the credits finally rolled, I wasn't sure what to make of the film. There's some unforgettable imagery (my personal favorite being the almost surreal depiction of the cloth-masked robbers waiting in the dark woods as the train comes roaring down the tracks), and many commendable artistic elements to be found in the film. If the idea was to leave the audience feeling the era showcased was a tension-riddled and violently lonely existence, then the film succeeded wonderfully. Those seeking a more pure entertainment will most assuredly be left stressed and stretched to their limits.


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