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The Assassination of Jesse James by the Coward Robert Ford (2007)

7.6
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Ratings: 7.6/10 from 120,578 users   Metascore: 68/100
Reviews: 389 user | 264 critic | 32 from Metacritic.com

Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

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Title: The Assassination of Jesse James by the Coward Robert Ford (2007)

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Nominated for 2 Oscars. Another 31 wins & 42 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dustin Bollinger ...
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Joel McNichol ...
Express Messenger
James Defelice ...
Baggagemaster (as James DeFelice)
J.C. Roberts ...
Engineer
Darrell Orydzuk ...
Ukranian Train Passenger
Jonathan Erich Drachenberg ...
Young Train Passenger
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Storyline

The last months of Jesse James's life, from meeting Robert Ford, a 19-year-old who idolizes Jesse, to the day Ford shoots him. Jesse's a wanted man, living under a pseudonym, carrying out a train robbery, disappearing to Kentucky, and reappearing to plan a bank holdup with Robert and Robert's brother as his team. The rest of the gang is dead, arrested, or gone from Missouri. Whenever Jesse's around, there's tension: he's murderous, quixotic, depressed, and cautious. Ford wants to be somebody and wants the reward. On April 3, 1882, things come to a head: Jesse is 34, Robert 20. Ford becomes famous, reenacting the shooting on stage, facing down the label "coward," shot dead in 1892. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Beyond the myth lies America's greatest betrayal.


Motion Picture Rating (MPAA)

Rated R for some strong violence and brief sexual references | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

30 November 2007 (UK)  »

Also Known As:

The Assassination of Jesse James  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£180,886 (UK) (30 November 2007)

Gross:

$3,904,982 (USA) (25 January 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Jesse goes looking for Jim Cummins he introduces himself as "Dick Turpin". Dick Turpin, a legendary English rogue and highway robber of the 1730s, was romanticized in English ballads and popular theatre of the 18th and 19th century. Dick Liddil introduces himself as "Matt Collins", which is actually a play on the name of Liddil's wife, Mattie Collins. See more »

Goofs

When Dick Liddil awakens and goes downstairs to investigate a noise he takes a revolver from under his pillow and cocks it. A second later as he goes down the steps by candle light the pistol is clearly not cocked. See more »

Quotes

[first lines]
Narrator: He was growing into middle age, and was living then in a bungalow on Woodland Avenue. He installed himself in a rocking chair and smoked a cigar down in the evenings as his wife wiped her pink hands on an apron and reported happily on their two children. His children knew his legs, the sting of his mustache against their cheeks. They didn't know how their father made his living, or why they so often moved. They didn't even know their father's name. He was listed in the city ...
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Crazy Credits

The film does not contain either an opening title nor intro credits. The film title is displayed first after the final fadeout. See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.15 (2011) See more »

Soundtracks

The Water Is Wide
(uncredited)
Traditional
Sung by Brooklynn Proulx
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A hauntingly beautiful film
16 October 2007 | by (United States) – See all my reviews

Andrew Dominik's The Assassination of Jesse James by the Coward Robert Ford, is a deliberately paced, stunningly visualized, and emotionally charged exploration of the early development of mass media celebrity in America. The film riveted my attention for two hours and 40 minutes, and has remained on my mind for several days after my viewing. Although centered on one of the iconic legends of the Old West, it is far beyond an updated reincarnation of the Western. It is an epic allegory about the development of the American cult of celebrity and the effects of this obsession on the individuals caught in its web.

Visually, the film soars beyond anything that has hit the screen since Conrad Hall's final masterpiece with Road to Perdition. Roger Deakins, the cinematography genius behind The Shawshank Redemption, Kundun, and all the Cohen brothers" films since The Hudsucker Proxy, surpasses his best work. He pulls out all the stops here—intricately orchestrated changes in focus, richly textured colors, dazzling use of light sources, careful manipulations of time, powerfully significant fade-ins and fade-outs, and shots through rain, snow, and rippled old glass—to communicate the story. Deakins' contribution stands out in the railroad train robbery sequence at the beginning of the film. Clearly defined, flickering light sources and deep black shadows create a dazzling, nightmarish vision that haunts the rest of the film. This sequence alone is worth the price of admission.

The richly textured, historically precise visual aspects of the film bring to mind Terrence Malick's Days of Heaven and Robert Altman's McCabe and Mrs. Miller. However, instead of the understated, "realistic" performances featured in those films, The Assassination of Jesse James…showcases powerful, yet still realistic performances by an outstanding ensemble cast.

Sam Rockwell, as the not-too-bright but well-meaning Charley Ford, and Mary-Louise Parker, as Jesse's loving wife, stand out. Yet the film belongs to the two titular leads, both of whom deliver the performances of their careers and create characters filled with disturbing contradictions. Brad Pitt's Jesse James is alternately pitiable and terrifying—an affectionate, loving father, an old-before-his-time sage, an adventurous daredevil, an unrepentant bad boy, and a vicious sociopath. Casey Affleck's Robin Ford is a complex, repellent, and tragic character who challenges the audience's complicity in the undercurrents of the film.

All in all, this is a great film—not for those seeking the simple pleasures of instant gratification. But definitely worth the attention of those who still believe that movies are an art form.


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