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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006

3 items from 2015


TV Is Not the New Film, But It’s Ok That Festivals Are Blurring the Lines

26 August 2015 6:56 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Peter Debruge: Looks like Toronto is the latest film festival to add a television section to its lineup. These days, everywhere from Sundance to SXSW to the Canadian “festival of festivals,” smallscreen content is getting a big push, which is intriguing — and even ironic — for all sorts of reasons (ironic because the state of distribution being what it is, many of the films in Toronto will end up trickling down to VOD, rather than ever getting a commercial theatrical run). On one hand, the trend isn’t exactly new: Classy longform features like “Carlos” (which premiered at Cannes in 2010), “Top of the Lake” (Sundance 2013) and “Olive Kitteridge” (Venice 2014) made their bows at top-tier film fests before going on to air as miniseries on Canal Plus, BBC Two and HBO, respectively.

But Toronto’s Primetime program — like SXSW’s Episodics, which launched last year — represents something different: Rather than expanding the »

- Justin Chang and Peter Debruge

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TV Is Not the New Film, But It’s Ok That Festivals Are Blurring the Lines

26 August 2015 6:56 PM, PDT | Variety - TV News | See recent Variety - TV News news »

Peter Debruge: Looks like Toronto is the latest film festival to add a television section to its lineup. These days, everywhere from Sundance to SXSW to the Canadian “festival of festivals,” smallscreen content is getting a big push, which is intriguing — and even ironic — for all sorts of reasons (ironic because the state of distribution being what it is, many of the films in Toronto will end up trickling down to VOD, rather than ever getting a commercial theatrical run). On one hand, the trend isn’t exactly new: Classy longform features like “Carlos” (which premiered at Cannes in 2010), “Top of the Lake” (Sundance 2013) and “Olive Kitteridge” (Venice 2014) made their bows at top-tier film fests before going on to air as miniseries on Canal Plus, BBC Two and HBO, respectively.

But Toronto’s Primetime program — like SXSW’s Episodics, which launched last year — represents something different: Rather than expanding the »

- Justin Chang and Peter Debruge

Permalink | Report a problem


Christophe Beck To Score Marvel Studios’ Ant-man; Marco Beltrami Signs On For The Fantastic Four Score

7 January 2015 2:12 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Film Music Reporter has news of two upcoming, high-profile scores and their composers.

Marco Beltrami will write the music for The Fantastic Four reboot, while Christophe Beck will compose the score for Marvel’s Ant-man.

Christophe Beck is behind the score to the Golden Globe- and Oscar-winning film Frozen. The Frozen soundtrack, certified platinum 11 weeks after its release, has sold more than one million copies, and spent five non-consecutive weeks at No. 1 on the Billboard 200 album chart. Beck returned to the Muppets in Muppets Most Wanted after scoring The Muppets in 2011. He’s also scored the blockbuster Hangover trilogy, Tower Heist, Due Date, Date Night and Pitch Perfect. He staged the drama for such films as We Are Marshall, Percy Jackson & The Olympians: The Lightning Thief, Elektra, The Sentinel, Under The Tuscan Sun, and indie films Year Of The Dog, Phoebe In Wonderland, Saved! and the award-winning documentary Waiting For Superman. »

- Melissa Thompson

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006

3 items from 2015


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