A Secret Service agent is framed as the mole in an assassination attempt on the President. He must clear his name and foil another assassination attempt while on the run from a Secret Service Protective Intelligence Division agent.
Special Agent Pete Garrison is convinced that a Neo-Nazi Aryan Disciple has managed to infiltrate the White House. When a White House Agent is murdered, Garrison is framed and blackmailed over an affair with the First Lady Sarah Ballentine. He is relieved of his duties, but Garrison won't stop in trying to prove his innocence, and save the life of the President. While attempting to uncover the person behind it all, he comes into confrontation with his protege, Agent Breckinridge.
Second consecutive back-to-back theatrical feature film which involved espionage of actor Michael Douglas whose previous picture had been the spy movie action-comedy-thriller The In-Laws (2003). Douglas had also previously starred with actress Melanie Griffith in the World War II romantic-suspense-espionage-thriller Shining Through (1992). See more »
The spoiler on the stolen Ford Taurus (driven by Pete Garrison) disappears between scenes. See more »
The veteran agent of the American secret service Pete Garrison (Michael Douglas) saved the life of president Ronald Reagan in the past and became a legend. Presently he is responsible for the personal security of the American president Ballentine (David Rasche) and the first lady Sarah Ballentine (Kim Bassinger), with whom he is having a love affair. When his informer Walter discloses that there is a traitor in the secret service and a plot to kill the president, his former friend David Breckinridge (Kiefer Sutherland) and the chief of the secret service William Montrose (Martin Donovan) are in charge of the investigation and all the agents are submitted to a polygraph test. Due to his situation with Sarah, he is compromised with the results and accused of treachery. He escapes, and in spite of chased by the secret service, he conducts his own investigation trying to find the responsible.
"The Sentinel" has a reasonable idea, of an agent failing in the polygraph test due to his love affair with the first lady, but the screenplay does not have any care for the characters. The running time should be longer and not waste in so many exaggerated details relative to the protection of the American president, and give more attention to the characters. In the end, the story is conventional, badly resolved and with bureaucratic performances of the good cast. My vote is six.
Title (Brazil): "Sentinela" ("Sentinel")
29 of 34 people found this review helpful.
Was this review helpful to you?