A Secret Service agent is framed as the mole in an assassination attempt on the President. He must clear his name and foil another assassination attempt while on the run from a Secret Service Protective Intelligence Division agent.
Special Agent Pete Garrison is convinced that a Neo-Nazi Aryan Disciple has managed to infiltrate the White House. When a White House Agent is murdered, Garrison is framed and blackmailed over an affair with the First Lady Sarah Ballentine. He is relieved of his duties, but Garrison won't stop in trying to prove his innocence, and save the life of the President. While attempting to uncover the person behind it all, he comes into confrontation with his protege, Agent Breckinridge. Written by
Costume Designer Ellen Mirojnick, who had worked on eight Michael Douglas pictures, decided to treat the US Secret Service (USSS) suits and uniforms in an elegant and sophisticated way, with garments sharply cut and sculpted to the body. Using dark, rich navies, no-pattern shirts, and an assortment of specific tonalities from blues to grays, she and her team created a look that added up to a uniform for the army they created. Like the other filmmakers, Mirojnick strove for realism, but made a slight exception for actress Eva Longoria. Mirojnick laughed: "She looks a little more beautiful than regulation allows. Our version is a little more stylish. The women wear pantsuits so they can run, but the fit is the key." See more »
Pete Garrison is hiding behind a green WM (Waste Management) trash bin in the first chase scene. The registration number is visible on the trash bin and it starts with "CA", indicating it was distributed in Canada, not Washington DC where the movie is supposed to take place. See more »
Tom DiPaola said he called you four times yesterday. You never returned any of his messages, and that you almost missed the Marine One flight yesterday.
They moved the flight up two hours. I was in the coffee shop. It was noisy. I couldn't hear my cell phone. Now wh-wh-what is this, alright? What the hell are you doing following me?
Las Palmas Coffee Shop is a dead drop for the Baranquilla Cartel.
You screwed up, Pete. You walked into a stakeout. I want to know your number one go-to guy at the ...
[...] See more »
The Sentinel represents everything about the soul-lessness of Hollywood and the saddening lack of imagination present in so many movies these days. I cannot possibly think of one good thing about it, it's all so generic, so factory-made and so lazy assembled that it really only exists as an infomercial on how to make money from the unsuspecting, undeserving public.
A plot about a Secret Service Agent planning to assassinate the Prez could well be entertaining. If handled by a good director or caring cast that is. Douglas is the one who is framed. Basinger is the First Lady, with whom he is having an affair (an undeveloped, unresolved plot contrivance). Sutherland is the best pal who believes his guilty because there would be no movie if he didn't. And Longoria is nothing. A woman with a fortune of Maybelline and...that's it. I guess there are less requirements for women when entering the Secret Service. As usual in a film like this the role of the Prez himself is nothing more than a tool, a token and is very badly written.
Clark Johnson's, he who gave us the equally as pathetic SWAT back in 2003, mechanical direction lacks any kind of signature and has all the visual sophistication of a cheap TV-movie. Douglas, Basinger and Sutherland look incredibly bored and phone-in their performances from afar. Eva Longoria, the most over-exposed woman of the 21st Century, is basically only in this to attract to the Desperate Housewives audience. Her role is 100% pointless and she does absolutely nothing to further the plot or add to character development. She barely has 2 lines to rub together. A truly shameless marketing ploy.
If you're a glutton for punishment then don't let me stop you. But it IS time and money you won't be getting back.
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