| Photos (see all 9 | slideshow) | Videos (see all 2) |
| Mickey Rourke | ... | Armand 'The Blackbird' Degas | |
| Brandon McGibbon | ... | Blackbird's Kid Brother | |
| Peter Kelly Gaudreault | ... | Blackbird's Brother | |
| Michelle Arvizu | ... | Nurse | |
| Richard Zeppieri | ... | Son-in-Law / Mafia Boss | |
| Alexis Butler | ... | Girl in Hotel Room | |
| Hal Holbrook | ... | Papa | |
| Diane Lane | ... | Carmen Colson | |
| Robert Gow | ... | Prospective Buyer #1 | |
| Catherine Hayos | ... | Prospective Buyer #2 | |
| Thomas Jane | ... | Wayne Colson | |
| Craig Blair | ... | Construction Site Foreman | |
| Joseph Gordon-Levitt | ... | Richie Nix | |
| Lynne Deragon | ... | Mrs. Palino | |
| Rosario Dawson | ... | Donna | |
| Hazel Desjarlais | ... | Old Woman, Walpole Island | |
| Aldred Montoya | ... | Lionel (as Aldred Wesley Montoya) | |
| Don McManus | ... | Nelson Davies | |
| Tim Campbell | ... | Michigan Officer #1 | |
| Tim Eddis | ... | Michigan Officer #2 | |
| Beatriz Yuste | ... | Checkout Girl | |
| Tom McCamus | ... | Paul Scallen / FBI Chief | |
| Michael Joseph Bernier | ... | Mechanic | |
| Jim Codrington | ... | 1st FBI Agent | |
| Karen Robinson | ... | 2nd FBI Agent | |
| Lois Smith | ... | Lenore | |
| Steve Cumyn | ... | 3rd FBI Agent / Real Estate Guy | |
| James Anthony | ... | Drydock Foreman | |
| Craig Eldridge | ... | Cape Girardeau Buyer / Gerald | |
| Mark-Cameron Fraser | ... | Dockworker (as Mark Cameron Fraser) | |
| Tony Nappo | ... | Dockworker | |
| Michael Rhoades | ... | Dockworker | |
| Christine Brubaker | ... | Dockworker's Wife | |
| Inga Cadranel | ... | Barmaid |
Directed by | |||
| John Madden | |||
Writing credits(WGA) | ||
| Hossein Amini | (screenplay) | |
| Elmore Leonard | (novel) | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Caleb Deschanel | |||
Film Editing by | |||
| Mick Audsley | |||
| Lisa Gunning | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Diane Kerbel | |||
| Suzanne Smith | |||
Production Design by | |||
| Andrew Jackness | |||
Art Direction by | |||
| Brandt Gordon | |||
Set Decoration by | |||
| Steven Essam | |||
Costume Design by | |||
| Beth Pasternak | |||
Makeup Department | |||
| Lisa Brockman-Kalz | .... | assistant makeup artist: Cape Girardeau, MO | |
| Renee Chan | .... | assistant hair stylist | |
| Burton J. LeBlanc | .... | assistant makeup artist (as Burton Leblanc) | |
| Jordan Samuel | .... | makeup department head | |
Production Management | |||
| Aisha Bicknell | .... | post-production supervisor | |
| Tania Blunden | .... | post-production supervisor (as Tania Windsor Blunden) | |
| Scott Knollenberg | .... | production manager: Cape Girardeau, MO | |
| Ted Miller | .... | unit production manager | |
| Jim Powers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Bruno Bryniarski | .... | second assistant director | |
| Tyler Delben | .... | third assistant director | |
| Dylan Hopkins | .... | second assistant director | |
| Jordana Lieberman | .... | third assistant director | |
| Nick Lopez | .... | trainee assistant director (as Nicolas Lopez) | |
| Craig Newman | .... | third assistant director | |
| John R. Saunders | .... | second second assistant director | |
| David J. Webb | .... | first assistant director | |
Art Department | |||
| Darleen Abbott | .... | construction accountant | |
| Rob Ballantyne | .... | storyboard artist | |
| Cameron S. Brooke | .... | key scenic artist | |
| Robert C. Brooke | .... | lead scenic artist | |
| Collingwood Brown | .... | art department coordinator | |
| David DiCorpo | .... | assistant head carpenter | |
| Alistair Edwardson | .... | set designer | |
| Travis Eisenberg | .... | carpenter | |
| Chris Hanson | .... | key scenic laborer | |
| Brent Jaimes | .... | lead man: Cape Girardeau | |
| Kelsey Lapoint | .... | on-set painter: Cape Girardeau | |
| John Mackenzie | .... | construction coordinator | |
| Rob McCallum | .... | storyboard artist | |
| Victor 'Chikko' Quon | .... | assistant head painter | |
| David Ritchie | .... | second on-set dresser | |
| Dawn Rivard | .... | set decoration buyer | |
| Dave Rosa | .... | head painter | |
| Chris Shader | .... | on-set dresser: Cape Girardeau | |
| Jim Tudor | .... | set dresser: Cape Girardeau | |
| Brian van de Valk | .... | co-head carpenter | |
| Clark Woodman | .... | assistant property master: Cape Girardeau | |
| Colin Woods | .... | first assistant art director | |
Sound Department | |||
| Joseph Adorisio II | .... | sound | |
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | dialogue editor | |
| Stuart Bagshaw | .... | foley editor | |
| Jeremy Balko | .... | adr mixer | |
| Howard Bargroff | .... | sound re-recording mixer | |
| Thom Berryman | .... | assistant re-recording mixer | |
| Ricky Butt | .... | foley artist | |
| Christopher Carmichael | .... | assistant sound engineer | |
| Laura Civiello | .... | sound editor | |
| Tony Currie | .... | dialogue editor | |
| Glen Gauthier | .... | sound mixer | |
| Robin Knapp | .... | assistant sound editor | |
| Daniel Laurie | .... | adr editor | |
| Daniel Laurie | .... | dialogue editor | |
| Michael Miller | .... | adr mixer | |
| Emma Pegram | .... | assistant sound re-recording mixer | |
| Alastair Sirkett | .... | dialogue and adr editor | |
| Barnaby Smyth | .... | foley supervisor | |
| Jack Stew | .... | foley artist | |
| Steve Switzer | .... | boom operator | |
| Matthew Tomkins | .... | sound trainee | |
| Ian Wilson | .... | supervising sound editor | |
| Andrew Caller | .... | sound mix technician (uncredited) | |
Special Effects by | |||
| John MacGillivray | .... | special effects supervisor | |
| Rob Sanderson | .... | special effects director | |
| Skyler Wilson | .... | special effects key | |
Visual Effects by | |||
| Louie Alexander | .... | digital compositor: Framestore-CFC | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC | |
| Turea Blyth | .... | visual effects editorial: Framestore | |
| Paul Burke | .... | scanning and recording: Framestore | |
| Andy Burrow | .... | scanning & recording manager | |
| Richard Edwards | .... | data operator: Framestore | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Joss Flores | .... | digital compositor | |
| David Gibbons | .... | digital matte painter | |
| Adam Glasman | .... | digital intermediate colourist | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Alistair Hamer | .... | film mastering engineer | |
| Adam Hawkes | .... | digital compositor | |
| Karsten Hecker | .... | scanning & film recording assistant manager: Framestore CFC | |
| John Inch | .... | retouch and restoration | |
| Yan Jennings | .... | film mastering engineer | |
| Kelvin Kanagaraj | .... | previsualization artist/animator | |
| Kevin Lowery | .... | film mastering engineer | |
| Vaibhav Marathe | .... | digital compositor: Baseblack | |
| Veronica Marcano | .... | scanning and recording operator: Framestore | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Edward Randolph | .... | visual effects coordinator: Baseblack | |
| Lee Rankin | .... | scanning and recording: Framestore CFC | |
| Jimmy Saul | .... | scanning and recording operator | |
| Michael Adam Thompson | .... | matchmover: Framestore CFC | |
| Odean Thompson | .... | digital paint artist: restoration: Framestore | |
| Esme Long | .... | production assistant (uncredited) | |
Stunts | |||
| Tom Farr | .... | stunts | |
| Duncan McLeod | .... | stunt double: Mickey Rouke Double | |
| Daryl Patchett | .... | stunt double: Thomas Jane | |
| Edward A. Queffelec | .... | stunt performer | |
| Ken Quinn | .... | stunt double | |
| Steve 'Shack' Shackleton | .... | stunt rigger | |
| John Stead | .... | stunt double | |
Casting Department | |||
| Deborah Maxwell Dion | .... | casting associate: Los Angeles | |
| Chantal Leblanc-Everett | .... | local casting assistant | |
| Kathy Mooney | .... | extras casting | |
| Crystal Olsen | .... | casting assistant | |
| Paul Schnee | .... | casting associate | |
| Marny Smith | .... | casting assistant | |
| Joni Tackette | .... | extras casting: missouri | |
Editorial Department | |||
| Jens Baylis | .... | co-first assistant editor | |
| William Blunden | .... | assistant editor | |
| Adam Glasman | .... | digital intermediate colorist | |
| Rui Martins | .... | telecine operator | |
| Steve Mercer | .... | first assistant editor | |
| Mark Neale | .... | co-first assistant editor | |
| Alex Panton | .... | digital intermediate producer | |
| Mila Patriki | .... | dailies colorist | |
| Dan Roberts | .... | assembly editor | |
| Natasha Westlake | .... | editor trainee | |
Music Department | |||
| Christine Bergren | .... | music legal | |
| Andy Brown | .... | conductor | |
| Andy Brown | .... | music contractor | |
| Andrew Glen | .... | music editor | |
| Ian Honeyman | .... | music arranger | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music mixer | |
| Andrew Raiher | .... | music arranger | |
| Jeff Toyne | .... | orchestrator | |
| Malona P. Voigt | .... | music production manager | |
Transportation Department | |||
| Dan 'the Mayor' Cowden | .... | transportation coordinator | |
| Carla Klein | .... | driver: hair/makeup | |
| DJ Perry | .... | double driver | |
| Ted Repp | .... | driver | |
| Lynn Shelton | .... | driver | |
| Bob Templin | .... | driver | |
| Ian C. Harris | .... | driver (uncredited) | |
| David Schmidt | .... | unit driver (uncredited) | |
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| Playing God | Crossing Over | D-Tox | Zenka onna: koroshi-bushi | Desperado |
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KILLSHOT with Mickey Rourke, Diane Lane, Thomas Jane, Joseph Gordon-Levitt, Rosario Dawson and Hal Holbrook, directed by John Madden.
MICKEY Rourke's intense and interesting performance as a troubled hit-man lifts this structurally flawed adaptation of Elmore Leonard's gritty crime novel. Directed by John Madden ("Shakespeare in Love"), the film is never as much fun as the book, which was a violent, witty and richly enjoyable slice of ultra-sleazy pulp fiction. But, despite all it's fault (the movie was completed in 2006, but is only being released now), "Killshot" is not a total dead loss and is likely to be enjoyed by genre fans who approach it with low expectations. Oscar-nominee Rourke ("The Wrestler") plays Armand "The Blackbird" Degas ,a veteran, half Indian hit-man for the Toronto mob who slays his boss's girlfriend during a hit. Returning to the rural area where he was raised, he pairs up with dim-witted young psychopath Richie Nix (Joseph Gordon-Levitt). Then, when, when the lovely Carmen Colson (a sexy, effective Diane Lane) sees Armand's face during a botched crime, he decides she must die. And the chase is on. "Killshot is a rather messy film that shows evidence of post-production edits and re-shoots, but Armand, Carmen and Richie are classic Leonard characters, there're one or two good shoot-outs and at least the films retains some of the master crime writer's wonderful trademark dialogue. Nice scenery too. As a Leonard fanatic, I wouldn't have missed the chance to see this on the big screen for anything (it's been given a national cinema release in South Africa - not a huge one, but way bigger than five screens in Phoenix ). I wasn't expecting much, so I certainly was not disappointed. Quite a bit of the book comes through and although Gordon-Levitt - usually one of my favourite young actors - sometimes goes to far over the top, the supporting cast is pretty good. Thomas Jane and (a totally miscast) Rosario Dawson have some nice moments and there's a cool cameo by the great Hal Holbrook . However, the interaction between Armand and Carmen Colson is nowhere near as intriguing as in the book (perhaps this has something to do with the notorious Weinstein scissors) and even though the picture has been pruned to 84 minutes it still drags in the second half. Reading Elmore Leonard's website the other night, I noticed that the maestro has seen the film (apparently a 100-minute cut) and seems to have enjoyed it, which tells us something. This flawed, but watchable (there's a good film lurking in there somewhere) movie should have been released to more cinemas in the States. Sadly, it doesn't look as if that's going to happen, but I can tell you one thing. It's going to be a solid renter when it hits DVD. Hopefully the distributor will release both this 84-minute cut and a longer version on disc. And let's hope we get to see Johnny Knoxville's deleted scenes, and a director commentary. But I suppose it will only come out in a vanilla version shorn of special features.
My Rating: 6 out of 10 (on the big screen).
PS. Drop the score down to 5/10 for the DVD - I've now seen the (South African release)DVD which in the 1.78 aspect ration ratio rather than 2.35.1 and looks shoddy compared to how it looked on the big screen. The film really falls to pieces on a second viewing.