Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
Penny and Sam work for a notoriously mean spirited, selfish, and somewhat abusive big fish Hollywood producer, MJ Siegel. They run a day's worth of outrageous and demoralizing errands for ... See full summary »
A tough as nails private investigator (Malone) squares off with gangsters and their thugs to protect a valuable secret. Malone goes through hell to protect the information but he dishes some hell as well...
Lyle Jensen is subject to sudden and violent outbursts, and he is committed to the juvenile wing of the Northwood Mental Institution. Several other youths are there with a variety of ... See full summary »
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an extortion scheme go wrong. Thinking they are at last safe, they are targeted by an experienced intimidating hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit. Written by
The film's history traces back to when the project was originally at Miramax under Disney's banner around 1995, when the Weinsteins were running that division. This is one of several projects that they took with them when they sold their stake of Miramax to Disney outright in 2005 and then announced a distribution deal with MGM soon after that this film was among those such as Lucky Number Slevin (2006), Clerks II (2006) and 1408 (2007) to name a few. See more »
After Richie Nix's shooting rampage in the gas station, a close up reveals that his shotgun is an obvious cheap plastic replica. See more »
[towards end of film]
Look, honey, just hear me out. I drove 400 miles. And 15 years to think about this. And a lot about what you've said lately. You're right, five's not a good number. It's terrible. So let's try six. And if we can make it to six, then we can try for seven.
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Listening To The Wind
Written and Performed by Vince Two Eagles
Courtesy of Soar (Sound Of America Records) See more »
Despite it's flaws, "Killshot" is not a total dead loss.
KILLSHOT with Mickey Rourke, Diane Lane, Thomas Jane, Joseph Gordon-Levitt, Rosario Dawson and Hal Holbrook, directed by John Madden.
MICKEY Rourke's intense and interesting performance as a troubled hit-man lifts this structurally flawed adaptation of Elmore Leonard's gritty crime novel. Directed by John Madden ("Shakespeare in Love"), the film is never as much fun as the book, which was a violent, witty and richly enjoyable slice of ultra-sleazy pulp fiction. But, despite all it's fault (the movie was completed in 2006, but is only being released now), "Killshot" is not a total dead loss and is likely to be enjoyed by genre fans who approach it with low expectations. Oscar-nominee Rourke ("The Wrestler") plays Armand "The Blackbird" Degas ,a veteran, half Indian hit-man for the Toronto mob who slays his boss's girlfriend during a hit. Returning to the rural area where he was raised, he pairs up with dim-witted young psychopath Richie Nix (Joseph Gordon-Levitt). Then, when, when the lovely Carmen Colson (a sexy, effective Diane Lane) sees Armand's face during a botched crime, he decides she must die. And the chase is on. "Killshot is a rather messy film that shows evidence of post-production edits and re-shoots, but Armand, Carmen and Richie are classic Leonard characters, there're one or two good shoot-outs and at least the films retains some of the master crime writer's wonderful trademark dialogue. Nice scenery too. As a Leonard fanatic, I wouldn't have missed the chance to see this on the big screen for anything (it's been given a national cinema release in South Africa - not a huge one, but way bigger than five screens in Phoenix ). I wasn't expecting much, so I certainly was not disappointed. Quite a bit of the book comes through and although Gordon-Levitt - usually one of my favourite young actors - sometimes goes to far over the top, the supporting cast is pretty good. Thomas Jane and (a totally miscast) Rosario Dawson have some nice moments and there's a cool cameo by the great Hal Holbrook . However, the interaction between Armand and Carmen Colson is nowhere near as intriguing as in the book (perhaps this has something to do with the notorious Weinstein scissors) and even though the picture has been pruned to 84 minutes it still drags in the second half. Reading Elmore Leonard's website the other night, I noticed that the maestro has seen the film (apparently a 100-minute cut) and seems to have enjoyed it, which tells us something. This flawed, but watchable (there's a good film lurking in there somewhere) movie should have been released to more cinemas in the States. Sadly, it doesn't look as if that's going to happen, but I can tell you one thing. It's going to be a solid renter when it hits DVD. Hopefully the distributor will release both this 84-minute cut and a longer version on disc. And let's hope we get to see Johnny Knoxville's deleted scenes, and a director commentary. But I suppose it will only come out in a vanilla version shorn of special features.
My Rating: 6 out of 10 (on the big screen).
PS. Drop the score down to 5/10 for the DVD - I've now seen the (South African release)DVD which in the 1.78 aspect ration ratio rather than 2.35.1 and looks shoddy compared to how it looked on the big screen. The film really falls to pieces on a second viewing.
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