A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
In late nineteenth century Vienna, renowned illusionist Eisenheim is reunited with the Duchess von Teschen when she is volunteered from the audience to participate in an illusion during one of his performances. Despite having not seen each other in fifteen years when they were teenagers, they almost immediately recognize each other as Eduard Abramovich and Sophie von Teschen, they who had a doomed romance at that time due to their class differences. The Duchess is soon to be wed to the Crown Prince Leopold in what would be for him a marriage solely in pursuit of power: overthrowing his father, the Emperor Leopold, as well as overtaking the Hungarian side of the empire. The Crown Prince is known to use violence against women if it suits his needs or purposes. As such, the Duchess, who realizes that she still loves Eisenheim and he her, can never leave the Crown Prince without it jeopardizing her life. After Eisenheim humiliates the Crown Prince at a private show which results in an ... Written by
The trick of the Orange Tree was made famous by a 19th Century French magician named Robert-Houdin. It was from Robert-Houdin that another magician, Ehrich Weiss, came up with the stage name "Houdini." This trick is first mentioned in old Indian manuscript as an illusion by Faux. Analogical trick was also performed by Pinetti, an 18th Century magician, but instead of oranges, he used lemons. Houdini was the first one to use real fruits. See more »
When the crown prince slaps Sophie's face, his hand is visibly well away from her face. See more »
woman in audience:
It's her. I know it's her! She wants to tell us something.
See more »
I am a long time fan of the old theatre magicians and have been fascinated by the wave of spiritualism that swept both continents around the turn of the last century. This movie plays off those real life happenings, with the added twist of court and political intrigue. The movie is lush - as a period piece should be - with terrific performances from a true ensemble cast. Edward Norton has the charismatic gaze that makes you believe in every thing he does. Jennifer Biel is tragic and compelling as a woman trapped by society and dubious duty. Paul Giamatti - who seems to be in every other movie these days - is wonderful as a conflicted man unsure of whom he serves. Rufus Sewell, as the Crown Prince Leopold, is that man, and he embodies the boo-hiss villain. Vain and driven, he is larger than life and not one to cross, as the illusionist comes to find out. The music of Philip Glass fits the scenes and add just the right amount of tension. Plus the horses are very old world with large hooves and a heck of a lot of presence. A compelling and beautiful film.
325 of 396 people found this review helpful.
Was this review helpful to you?