| Pauline McLynn | ... | Helen | |
| Chloe Sirene | ... | Tasha | |
| Paul McGann | ... | Paul | |
| Rula Lenska | ... | Irina | |
| Tamzin Dunstone | ... | Kelly | |
| Barry Latchford | ... | Jimmy | |
| Freddie Connor | ... | Tasha's Husband | |
| Tom Stuart | ... | Darren | |
| Olegar Fedoro | ... | Tasha's Father | |
| Sean Wilton | ... | Art Tutor | |
| Angelica O'Reilly | ... | Prostitute | |
| Rebecca Clow | ... | Terminal Hostess | |
| Majid Iqbal | ... | Illegal Worker | |
| Ashley McGuire | ... | Penny | |
| rest of cast listed alphabetically: | |||
| Josef Altin | ... | Michael | |
| Claire Angus | ... | Irina's Neighbour | |
| James Blanchard | ... | Tall Bully | |
| Clara Clow | ... | Baby Jordan | |
| Charlotte Edmundson | ... | Katy | |
| Leane Grant | ... | Girl Bully | |
| Milo Hertz | ... | Nicky's Baby | |
| Jonathan Howlett | ... | Kev | |
| Stuart Jarvis | ... | Security Man 2 | |
| Mark Keefe | ... | Security Man 1 | |
| Ruby McLynn | ... | Kylie | |
| Christiane Bjørg Nielsen | ... | Singer | |
| Lisa Payne | ... | Tamara | |
| Santa | ... | Santa | |
| Natalie Sewell | ... | Jane | |
| Oliver Tatt | ... | Short Bully | |
| James Thomas | ... | Hotelier | |
| Carys Nia Williams | ... | Nicky | |
Directed by | |||
| Jan Dunn | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Jan Dunn | ||
Produced by | |||
| Barry Bassett | .... | co-producer | |
| Jan Dunn | .... | executive producer | |
| Mark Foligno | .... | co-producer | |
| Steve Milne | .... | co-producer | |
| James O'Donnell | .... | associate producer | |
| Tamara Syer | .... | co-producer | |
| James Thomas | .... | associate producer | |
| Elaine Wickham | .... | executive producer | |
| Elaine Wickham | .... | producer | |
Original Music by | |||
| Labrador | |||
| Christiane Bjørg Nielsen | |||
Cinematography by | |||
| Jacob Kusk | (director of photography) | ||
Film Editing by | |||
| Emma Collins | |||
Casting by | |||
| Alex Johnson | |||
Production Management | |||
| Clare Beale | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| James Davidson | .... | third assistant director | |
| Tom Dunbar | .... | first assistant director | |
| Ashley McGuire | .... | second assistant director | |
Art Department | |||
| Jolene Farmer | .... | set coordinator | |
| Jolene Farmer | .... | set dresser | |
| Sean Kisch | .... | props | |
| Sean Kisch | .... | set coordinator | |
Sound Department | |||
| Gavin Bush | .... | sound assistant: second unit | |
| Michelle Mascol | .... | sound editor (as Michelle Mascoll) | |
| Michelle Mascol | .... | sound mixer (as Michelle Mascoll) | |
| Adrienne Taylor | .... | boom operator | |
Stunts | |||
| Juliette Cheveley | .... | stunt double | |
| Neil Finnighan | .... | stunt coordinator | |
| James O'Donnell | .... | stunt performer | |
Camera and Electrical Department | |||
| Christopher Bonnor | .... | first assistant camera | |
| Jean-Phillippe Default | .... | still photographer | |
| Ken Kwek | .... | assistant camera | |
| Ken Kwek | .... | third camera operator | |
| John Martin White | .... | second camera operator | |
Editorial Department | |||
| Rhys Llewellyn | .... | on-line editor | |
| Des Murray | .... | on-line editor | |
Other crew | |||
| Alex Breadman | .... | runner | |
| Tony Edwards | .... | runner | |
| Leanne Grant | .... | production assistant | |
| Iago López Rodríguez | .... | video (as Iago Lopez) | |
| Liz Metcalfe | .... | script supervisor | |
| Cate Muller | .... | publicist | |
| Kieran Nicholas | .... | production assistant | |
| David Nielsen | .... | advisor | |
| Nathan Shepherd | .... | runner | |
| Jake Slack | .... | runner | |
| Bryan Webb | .... | caterer | |
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| The English Patient | Billy Elliot | Hotel Rwanda | The Unbearable Lightness of Being | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This, the first undiluted Dogme production to be officially made in the UK, benefits right away from the use of tiny hand-held digi-cams, as quite a lot of the action takes place in the heroine's crowded council house or in the cramped trailer inhabited by two immigrants, Tasha (Chloe Sirene) and her mother Irina, played by the wonderful Rula Lenska.
The council house is run by Helen (Pauline McLynn), who having raised her own two kids now has to mind her daughter Kelly's (Tamzin Dunstone) baby, while coping with a husband (Paul McGann) who has clearly lost his lust for life and believes he has been short-changed at the existential check-out. This situation is first explored from Helen's point-of-view: Kelly's college chum Tasha invited in for tea but having to put up with dad's railing against 'them immigrants, crowding into this tiny country and taking our jobs'. In this sequence, the family is fragmenting, several red herrings are chucked at us from the start, friendships are forged, the whole family throws itself into change, everyone tries to find their own way of surviving but it all seems to end in despair. Then we get it all again, from Paul's side. A natural reaction to this might be 'hold, enough!' - but now we get to see whence some of those herrings, and several more puzzlers are laid like booby traps, which may be opened eventually in the 'Tasha' story. Although there was no script, the overall structure, resembling a jigsaw being put together, must have been mapped out - it doesn't look as if it was all done in the cutting room. It works very well as a dark mystery edge-of-the-seat thriller; and just as well as an exploration of the forces of circumstance and the impulses that we employ (or imagine we employ) to deal with those forces. CLIFF HANLEY