| Bill Nighy | ... | Lawrence | |
| Kelly Macdonald | ... | Gina | |
| Meneka Das | ... | Sunita | |
| Anton Lesser | ... | George | |
| Paul Ritter | ... | Robert | |
| Ken Stott | ... | Chancellor | |
| Federico Zanni | ... | Italian Waiter | |
| Penny Downie | ... | Ruth | |
| Damon Younger | ... | Hotel Receptionist | |
| Nína Dögg Filippusdóttir | ... | Assistant Receptionist | |
| Marit Velle Kile | ... | Waitress (as Marit Kile) | |
| Philippe De Grossouvre | ... | French Delegate | |
| Louisa Bojesen | ... | CNBC Newscaster | |
| Christian Rubeck | ... | German Senior Advisor (as Christian Pedersen) | |
| Toshie Ogura | ... | Japanese Delegate | |
| Martin McDougall | ... | American Senior Advisor | |
| Corin Redgrave | ... | Prime Minister | |
| Wolf Kahler | ... | Herr Gerhardt | |
| Madeleine Potter | ... | Secretary of the Treasury | |
| Alysha Westlake | ... | G8 Delegate | |
| Simon Wilson | ... | Journalist | |
| Fran Purcell | ... | Secretary | |
| rest of cast listed alphabetically: | |||
| Max Bollinger | ... | G8 reporter (uncredited) | |
| Darri Ingolfsson | ... | Icelandic waiter (uncredited) | |
| Peter Rnic | ... | Russian Finance Minister (uncredited) | |
Directed by | |||
| David Yates | |||
Writing credits(in alphabetical order) | ||
| Richard Curtis | screenplay | |
Original Music by | |||
| Nicholas Hooper | |||
Cinematography by | |||
| Chris Seager | (director of photography) | ||
Film Editing by | |||
| Mark Day | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Candida Otton | |||
Art Direction by | |||
| Andrea Coathupe | |||
Costume Design by | |||
| Jacky Levy | |||
Makeup Department | |||
| Faye De Bremaeker | .... | makeup supervisor (as Fay de Bremaeker) | |
| Anne Oldham | .... | hair designer (as Anne 'Nosh' Oldham) | |
| Anne Oldham | .... | makeup designer (as Anne 'Nosh' Oldham) | |
Production Management | |||
| Ted Ladlow | .... | unit manager | |
| Heidi Mount | .... | post-production supervisor | |
| Petur Sigurdsson | .... | production manager: Iceland | |
Second Unit Director or Assistant Director | |||
| Caroline Chapman | .... | third assistant director | |
| Paul Frift | .... | first assistant director | |
| Adam Jenkins | .... | crowd third assistant director | |
| Paula Turnbull | .... | second assistant director | |
Art Department | |||
| Sigurbjörn Búi Baldvinsson | .... | art department production assistant | |
| Kevin Biggs | .... | painter | |
| Nick Bowen | .... | painter | |
| David Broadfoot | .... | stand-by rigger (as Dave Broadfoot) | |
| Ulrika Celsing | .... | art department assistant | |
| Chris Cull | .... | property master | |
| Steve DeJulius | .... | stagehand | |
| Gill Farr | .... | production buyer | |
| Stuart Haste | .... | dressing props | |
| Ben Johnson | .... | dressing prop daily | |
| Victoria Layson | .... | graphics | |
| Rob MacPherson | .... | stand-by props | |
| Adrian Platt | .... | dressing props | |
| Jason Reilly | .... | construction manager | |
| Lee Reilly | .... | stand-by carpenter | |
| Simon Riley | .... | stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Bradley Wilcox | .... | stagehand | |
| Frazer Williamson | .... | carpenter | |
| Mark Williamson | .... | carpenter | |
Sound Department | |||
| Pat Boxshall | .... | dialogue editor | |
| Stuart Hilliker | .... | dubbing mixer | |
| Jeremy Lishman | .... | boom operator | |
| Jamie McPhee | .... | sound effects editor | |
| Simon Okin | .... | sound mixer | |
| Adrienne Taylor | .... | sound assistant | |
| Joanne Dunphy | .... | sound assistant (uncredited) | |
Special Effects by | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
Visual Effects by | |||
| Paul Beard | .... | visual effects line producer | |
| Tamsin Edwards | .... | visual effects producer | |
| Simon Frame | .... | visual effects supervisor | |
| Isaac Layish | .... | digital compositor | |
Camera and Electrical Department | |||
| Steve Anthony | .... | best boy | |
| Joss Barratt | .... | still photographer | |
| Ray Bateman | .... | electrician | |
| Jon Beacham | .... | focus puller | |
| David Broadfoot | .... | stand-by rigger (as Dave Broadfoot) | |
| Dick Conway | .... | electrician | |
| Arnar Einarsson | .... | local grip | |
| Steve Ellingworth | .... | camera grip | |
| Jess Foster | .... | rigger | |
| Jeremy Hiles | .... | camera operator | |
| Stuart King | .... | gaffer | |
| Joseph Mastrangelo | .... | assistant camera | |
| Tom McFarling | .... | clapper loader | |
| Gary Parnham | .... | electrician | |
| Ingvar Stefánsson | .... | electrician | |
| Paul Worley | .... | second grip | |
| Elli Cassata | .... | director of photography: second unit, Iceland (uncredited) | |
Costume and Wardrobe Department | |||
| Heather Howell | .... | assistant costume designer | |
| Pookie Russell | .... | costume assistant | |
Editorial Department | |||
| Chris Beeton | .... | colorist | |
| Justin Eely | .... | on-line editor | |
| Emily Grant | .... | assistant editor | |
| Ulrike Münch | .... | assistant editor | |
Music Department | |||
| P.J. Bloom | .... | music supervisor | |
Other crew | |||
| David Blank | .... | assistant accountant | |
| Victoria Brooks | .... | publicist: pictures | |
| Adam Browne | .... | location manager | |
| Kate Cobbold | .... | production accountant | |
| Joey Coughlin | .... | floor runner | |
| Tim Elliott | .... | floor runner | |
| Racquel Findlay | .... | production secretary | |
| Alice Freedman | .... | production runner | |
| Emma Freud | .... | script editor | |
| Deborah Goodman | .... | unit publicist | |
| Ása Björg Ingimarsdóttir | .... | production assistant | |
| Llinos Wyn Jones | .... | continuity | |
| Claire Kerrison | .... | production coordinator | |
| Dan McCulloch | .... | production runner | |
| Catriona McKenzie | .... | development executive | |
| Julie Scott | .... | production executive: BBC | |
| Elín Sigurðardóttir | .... | runner/assistant | |
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| Thank You for Smoking | I'm Not There. | Definitely, Maybe | Munich | Damage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
A beautiful and moving film. I didn't know what it was about as the trailer didn't reveal much other than the relationship between Nighy and McDonald so I was thinking it was just a gentle love story, a British 'Lost in Translation'.
But what transpired was so much more than that. I thought the way the enormous issue of global poverty and the few people who hold the political power to affect change was dealt with intelligently and sensitively and interwoven poignantly with the strange romance developing between the two leads.
I'm not too familiar with the background of the film but I would hazard a guess that the seeds of the project were sown when Richard Curtis wrote 'Love Actually' which included a subplot where the British PM (Hugh Grant) publicly opposed policies brought forward by the American president (Billy Bob Thornton).
Since 'Love Actually' was a light-hearted romantic comedy, the politics were never elaborated on but I'm sure that 'The Girl in the Cafe' was the opportunity for Curtis to put this topical issue into terms that anyone could understand and empathise with. The timing, of course, is impeccable, with the G8 summit to be held in Scotland within 2 weeks and widespread attention of the summit brought to the masses by Sir Bob Geldof and the simultaneous Live 8 series of concerts.
It goes without saying that the performances of the two leads are spot-on, Bill Nighy is the king of understated pathos as Lawrence and Kelly McDonald is gracious as the mysterious but steely Gina.
The film is shot in (literally) cool locations and makes a fantastic ad for the chilled aloofness that is Reykjavik.
But at the heart of this love story are the nameless, faceless millions who suffer daily and the ease with which this fact is taken as statistic. Africa has never before been on the forefront of social issues as it is today and to anyone who might be under the impression that poverty is an issue for politicians to sort out around the conference table, 'The Girl in the Cafe' is a potent reminder that the power to affect change is more immediate than we might think. Superb.
Make Poverty History