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Storyline
A May-December comedy becomes a political drama. Lawrence, a spindly, self-effacing civil servant, is a senior researcher for the Chancellor of the Exchequer, preparing for a G-8 summit that will determine the scope of the world's effort to reduce extreme poverty. In a crowded café, he chats awkwardly with Gina, a young Scot with time on her hands. They share a couple of meals, and he invites her to accompany him to the summit in Reykjavík. Once there, as romance blooms, Gina's past, Lawrence's work and proclivity to compromise, and the presence of ministers and presidents spur her to act. Written by
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Plot Summary
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Plot Synopsis
Taglines:
Love can't change what's wrong in the world. But it's a start.
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Did You Know?
Goofs
When Lawrence checks into the hotel in Reykjavik he is told by the clerk that he is in room 5021. However later when he and Gina are walking down the hotel hallway to the room they go to 5121.
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Quotes
Ruth:
Ah, three hours next to the dullest man in Canada... and that's a pretty competitive category.
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Crazy Credits
During the credits, the sound of a finger snapping every 3 seconds is heard. Each snap represents a death in the world due to extreme poverty.
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Written to coincide with the Africa Lives series on the BBC and also the current Make Poverty History campaign, 'The Girl in the Cafe' is a superlative TV drama that makes its political points without resorting to grandstanding or heavy-handedness.
Played to absolute perfection by Bill Nighy and especially Kelly MacDonald, and written by Richard Curtis with his usual wry wit, this drama places a socially aware Everywoman in the same room as the world's most powerful politicians at a fictional G8 Summit in Reykjavik.
The blossoming romance of the two leads and the politics of the summit develop in perfect tandem, neither allowed to undermine the other. It is to Curtis's credit that he does not seek to provide an easy way out for any of the characters, nor does he wrap everything up in a neat bow at the climax.
This is one of the most accomplished TV dramas I have ever seen, and I can only hope that it achieves the profile elsewhere that its creative team and, more importantly, its message deserves.