A fortune-tellers teasing rumination sends Edmond Burke lurching into New York City's hellish underworld.

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Cast

Cast overview, first billed only:
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Fortune Teller
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Wife
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Man in Bar
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Wendy Thompson ...
Cocktail Waitress
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Club Manager
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Peep Show Girl
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Bystander
...
Sharper
...
Shill
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Leafletter
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Matron
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Desk Clerk
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Storyline

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller's for a Tarot reading: "You are not where you belong," she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman's club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he's found them. Where does he belong? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

You are not where you belong See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, strong language, and sexual content including nudity and dialogue | See all certifications »

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Details

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Release Date:

24 November 2006 (Italy)  »

Also Known As:

Submundo  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$19,253 (USA) (14 July 2006)

Gross:

$131,617 (USA) (13 October 2006)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Edmond enters the peep show and Bai Ling greets him, she tells him to go into room number six three times: 666. See more »

Goofs

The card handed to Edmond by "Man in Bar" shows the address as 46th St., but Edmond is instructed to go to 47th St. See more »

Quotes

Edmond: Every fear hides a wish.
See more »

Connections

Referenced in Unikal'noe pozdravlenie (2014) See more »

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User Reviews

 
Provocotive though at times detached
22 September 2006 | by (SoFla, UsA) – See all my reviews

Interesting, if not altogether captivating slice o' night and consequences of one Edmond Burke; a man who is driven to the edge, and all areas after, following his decision to essentially walk away from everything due to feeling unfulfilled in life. Working from this always relate-able premise, Mamet crafts a more intelligent, more realistic version of last decade's controversial but safe Falling Down, and in turn offers some of the year's best societal release. Problems arise however when the actions slow down and the talking speeds up, where monologues and even back and forth dialogs seem to be coming from the writer's mouth instead of the characters. This all goes south in the second half, where Macy's sermonizing kills some of the script's authenticity and integrity, due to the long-winded, self righteous, and ultimately distracting and uninvolved nature of his lines. For a film that approaches a gritty New York night with style and ease, with a scriptwriter as esteemed and knowledgeable as David Mamet, it was a shame to see some of the later scenes become a pulpit for Mr. Mamet to talk through instead of more subtle suggestion, but it is still far from making this movie avoidable. With some of William H Macy's most powerful work, Edmond is still a triumph of a character based thriller, leaving me satisfied with it's profound conclusion.


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