6.5/10
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Dreamgirls (2006)

PG-13 | | Drama, Music, Musical | 25 December 2006 (USA)
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A trio of black female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

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(screenplay), (book)
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3,249 ( 36)
Won 2 Oscars. Another 66 wins & 87 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Magic (as Mariah Wilson)
Yvette Cason ...
May
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M.C. (as Ralph Harris)
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Jazz Singer
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Storyline

Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

singer | trio | 1960s | pop chart | fire | See All (193) »

Taglines:

All you have to do is dream. See more »

Genres:

Drama | Music | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for language, some sexuality and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 2006 (USA)  »

Also Known As:

Soñadoras  »

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$378,950 (USA) (15 December 2006)

Gross:

$103,338,338 (USA) (13 April 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The character "Effie" was originally created for Nell Carter in 1978 when the original stage show was in it's experimental stages as "Project Number 9." Audio tapes of Carter rehearsing numbers such as "One Night Only" still exist in bootleg form and are constantly recirculated. See more »

Goofs

During the "Steppin' to the Bad Side" montage, the Chicago NBC Tower, first opened in 1989, is seen sometime in the 1960s. See more »

Quotes

C.C. White: [knocking on the dressing room door] You ladies decent?
Deena Jones: I am. I can't speak for these two.
See more »

Crazy Credits

The film begins immediately after the distribution studio logos, with no opening titles/credits of any kind. See more »

Connections

Referenced in Huge: Movie Night (2010) See more »

Soundtracks

One Night Only
Written by Henry Krieger and Tom Eyen
Performed by Jennifer Hudson
Produced by The Underdogs (Harvey Mason Jr. and Damon Thomas)
Published by Dreamgirls Music (ASCAP) admin. by Universal-Geffen Music and Dreamettes Music (BMI) admin. by Universal-Geffen Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
What WERE they thinking?
13 February 2007 | by (Albuquerque, NM) – See all my reviews

Yes there are great performances here. Unfortunately, they happen in the context of a movie that doesn't seem to have a clue what it's doing. During the first 45-60 minutes of this all the music takes place as realistic performance. Suddenly, about an hour in, the characters who, until this point, had always spoken to each other, suddenly start singing to each other. To further confuse things, a little further in, out of nowhere, they actually do about 15 minutes of sung-through dialog, then seem to drop that idea and move on to other things, such as a number that begins in a jazz club with a drummer and two electric guitars suddenly turning into a fully orchestrated piece with a massive unseen string section. On top of all this inconsistency in how the music is used, is the composers' clear inability to actually write music in the style that is supposedly being portrayed. While the first couple of pieces do sort of mimic the 1950s Motown sound, the rest of the film is just (bad) Broadway show music. Then there's the pure silliness of snippets of a group doing a bad Jackson family imitation and Eddie Murphy morphing from Little Richard to James Brown to Lionel Richie. When he started channeling Stevie Wonder I couldn't help laughing out loud. This was clearly one of those films that make me appreciate how little time I have on earth and resent that I wasted two hours of it watching this film.


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