The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by
Loretta Devine, who plays the jazz singer in the wake scene, created the role of Lorrell Robinson in the original Broadway production in 1981. Hinton Battle, who plays Curtis' aide Wayne, was also a replacement for the role of James "Thunder" Early in the original production. See more »
When Effie goes to the welfare office, the American flag hanging on the back wall is backwards. The blue field should be in the upper-left corner. See more »
[during "The Deena Jones Story" promo film]
... I'm somebody, and nobody's gonna hold me down... I'm somebody!
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The film begins immediately after the distribution studio logos, with no opening titles/credits of any kind. See more »
I'm an old guy who was around in the 50's and 60's when they were cranking out those stock rock 'n roll biz movies. I've seen this movie a dozen times before. Dreamgirls has the clichéd characters and the predictable paper thin plot that were characteristic of the genre. Even in the context of that genre Dreamgirls doesn't make the grade because it has an instantly forgettable soundtrack.
I think Dreamgirls was supposed to be a parody of those old movies, but none of the critics got it because they are all too young to have seen them. They are not classics. Dreamgirls takes itself very seriously with not one moment of humor. Therein lies the parody -- nobody took those old rock n roll movies seriously.
As those old rock 'n roll movies demonstrated, transferring great stage numbers straight to film with twinkie filling between the numbers does not make a great movie.
My nomination for the most over-hyped movie of 2006 goes to ...
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