The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by
The film, and the original Broadway musical, are based heavily on The Supremes (later known as "Diana Ross & The Supremes"). Curtis Taylor, Jr. represents Motown Founder Berry Gordy, Jr. Both men worked in the automotive industry before focusing on music, and integrated aspects of the automotive business into the music making process. Both men were romantically involved with the lead singer of the most successful female group on their label. Effie's departure from the group closely matches Florence Ballard, who was known to have a much more powerful voice than Diana Ross. See more »
In a scene set in 1965, the Dreams and Curtis are in the studio during the 12th Street riots in Detroit (according to the archival footage), which began on July 23, 1967. See more »
It doesn't take a whiz to know that only a desperate man would drop his pants in living color on national television!
See more »
The motion picture is dedicated to Michael Bennett, the director, producer, and choreographer of the original Broadway production. See more »
I'm an old guy who was around in the 50's and 60's when they were cranking out those stock rock 'n roll biz movies. I've seen this movie a dozen times before. Dreamgirls has the clichéd characters and the predictable paper thin plot that were characteristic of the genre. Even in the context of that genre Dreamgirls doesn't make the grade because it has an instantly forgettable soundtrack.
I think Dreamgirls was supposed to be a parody of those old movies, but none of the critics got it because they are all too young to have seen them. They are not classics. Dreamgirls takes itself very seriously with not one moment of humor. Therein lies the parody -- nobody took those old rock n roll movies seriously.
As those old rock 'n roll movies demonstrated, transferring great stage numbers straight to film with twinkie filling between the numbers does not make a great movie.
My nomination for the most over-hyped movie of 2006 goes to ...
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