The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A successful asset manager, who has just received a huge promotion, is blissfully happy in his career and in his marriage. But when a temp worker starts stalking him, all the things he's worked so hard for are placed in jeopardy.
Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by
I'm an old guy who was around in the 50's and 60's when they were cranking out those stock rock 'n roll biz movies. I've seen this movie a dozen times before. Dreamgirls has the clichéd characters and the predictable paper thin plot that were characteristic of the genre. Even in the context of that genre Dreamgirls doesn't make the grade because it has an instantly forgettable soundtrack.
I think Dreamgirls was supposed to be a parody of those old movies, but none of the critics got it because they are all too young to have seen them. They are not classics. Dreamgirls takes itself very seriously with not one moment of humor. Therein lies the parody -- nobody took those old rock n roll movies seriously.
As those old rock 'n roll movies demonstrated, transferring great stage numbers straight to film with twinkie filling between the numbers does not make a great movie.
My nomination for the most over-hyped movie of 2006 goes to ...
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