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In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
A young rapper, struggling with every aspect of his life, wants to make the most of what could be his final opportunity but his problems around gives him doubts.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
Director:
Robert Altman
Stars:
Woody Harrelson,
John C. Reilly,
Meryl Streep
A high-school boy is given the chance to write a story for Rolling Stone Magazine about an up-and-coming rock band as he accompanies it on their concert tour.
Director:
Cameron Crowe
Stars:
Billy Crudup,
Frances McDormand,
Kate Hudson
Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by
<jhailey@hotmail.com>
The original Broadway production of "Dreamgirls" opened at the Imperial Theater on December 20, 1981, ran for 1521 performances and was nominated for the 1982 Tony Awards for the Best Musical and Score and won for the Best Book of a Musical. See more »
Goofs
During the "It's All Over/And I'm Telling You" scene, Effie's wig is wider on the sides. In many close-up insert shots, the sides of her wig are tighter. See more »
The motion picture is dedicated to Michael Bennett, the director, producer, and choreographer of the original Broadway production with the words "In memory of Michael Bennett." See more »
"Silent Night"
Traditional
Performed by The Impressions
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing See more »
I went to a trade screening of "Dreamgirls" a few days ago and from the first seconds of the film, you can tell that you're in for the time of your life. To put it shortly, Bill Condon (director-writer) delivers the goods with this film. It's most definitely the first of its kind. It moves at a rapturous pace that leaves you breathless and delivers performances that are both subtle and fittingly over the top.
The movie explains plot holes from the Broadway musical and adds many historical occurrences (Martin Luther King Jr., etc.) that gives the film a much more social awareness. Most of the sung dialogue from the musical is replaced with spoken with the exception of a few scenes. The music itself has always been wonderful, and this able cast performs it spectacularly.
The performances are something else. Jennifer Hudson, Eddie Murhpy, and Anika Noni Rose will blow you away. Murphy's vocals, though not as strong as his leading ladies, suit his character perfectly and shows a vulnerable side to him towards the end that we never knew he had. Rose makes the transition from a giggly little girl into a full-blossomed woman seamlessly, and Hudson-well, let's just say that any major hype you've heard about her does not do her performance justice. Beyonce Knowles will catch you off guard with her beautifully subtle performance, brilliantly channeling Diana Ross with her musical performances. Jaime Foxx, Keith Robinson, Danny Glover, and Sharon Leal also hand in admirable performances.
I could not recommend this film more. It gives hope AGAIN to the movie musical that "Chicago" revived and "The Phantom of the Opera", "Rent", and "The Producers" almost killed. I can't say whether this film will be the next "Chicago" (I do foresee MANY Oscar noms, including Best Pic and others), I certainly hope it will be. I dream it will be bigger. It is definitely not the next "The Producers". I can say this though: It is the first, and only, "Dreamgirls" that we will ever encounter.
138 of 242 people found this review helpful.
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I went to a trade screening of "Dreamgirls" a few days ago and from the first seconds of the film, you can tell that you're in for the time of your life. To put it shortly, Bill Condon (director-writer) delivers the goods with this film. It's most definitely the first of its kind. It moves at a rapturous pace that leaves you breathless and delivers performances that are both subtle and fittingly over the top.
The movie explains plot holes from the Broadway musical and adds many historical occurrences (Martin Luther King Jr., etc.) that gives the film a much more social awareness. Most of the sung dialogue from the musical is replaced with spoken with the exception of a few scenes. The music itself has always been wonderful, and this able cast performs it spectacularly.
The performances are something else. Jennifer Hudson, Eddie Murhpy, and Anika Noni Rose will blow you away. Murphy's vocals, though not as strong as his leading ladies, suit his character perfectly and shows a vulnerable side to him towards the end that we never knew he had. Rose makes the transition from a giggly little girl into a full-blossomed woman seamlessly, and Hudson-well, let's just say that any major hype you've heard about her does not do her performance justice. Beyonce Knowles will catch you off guard with her beautifully subtle performance, brilliantly channeling Diana Ross with her musical performances. Jaime Foxx, Keith Robinson, Danny Glover, and Sharon Leal also hand in admirable performances.
I could not recommend this film more. It gives hope AGAIN to the movie musical that "Chicago" revived and "The Phantom of the Opera", "Rent", and "The Producers" almost killed. I can't say whether this film will be the next "Chicago" (I do foresee MANY Oscar noms, including Best Pic and others), I certainly hope it will be. I dream it will be bigger. It is definitely not the next "The Producers". I can say this though: It is the first, and only, "Dreamgirls" that we will ever encounter.