A successful asset manager, who has just received a huge promotion, is blissfully happy in his career and in his marriage. But when a temp worker starts stalking him, all the things he's worked so hard for are placed in jeopardy.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by
When Curtis tells the girls that they're going to be their own act, he says that he's gotten Jolly Jenkins to do their choreography. This is a reference to Cholly Atkins, the famous tap-dancer (part of the tap-dancing duo of Coles and Atkins), who did most of the choreography for The Supremes. See more »
During the "Steppin' to the Bad Side" montage, the Chicago NBC Tower, first opened in 1989, is seen sometime in the 1960s. See more »
Effie Melody White:
And I am telling you/ I'm not going./ You're the best man I'll ever know./ There's no way I can ever go./ No, no, no, no way... / No, no, no, no way I'm living without you./ I'm not living without you./ I don't want to be free./ I'm staying, I'm staying,/ And you, and you,/ you're gonna love me.
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The original 1981 "Playbill" cover for the Broadway version of "Dreamgirls" is displayed during the end credits just before the names of the show's Broadway creators are featured. See more »
I grew up in this age, I loved the music, it was part of my life. This movie creates an ugly caricature of that time and sound. The music doesn't sound anything like the real music of that era: it sounds like a misguided and failed attempt to make the music of that era sound like the current sounds. The story lines and (especially) the characters spontaneously bursting out in song are pathetic and false. I find it utterly, utterly incomprehensible why bona fide stars like Jennifer Hudson, Eddy Murphy, and Jamie Foxx would want to have anything to do with this piece of junk, and completely stunning why this movie won any awards! The acting is bad, the singing is bad, the script was called in by a screenwriter with a hangover on his/her way to a custody settlement hearing. This movie was offensively awful. YECH!
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