A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro. Written by
When Ed Westwick was first offered his role in this film, he turned it down because the scheduled dates for shooting conflicted with his exams at school and he had no idea who Anthony Minghella was, but his father told him to reply to the email and tell him he was available. See more »
When Will drinks the coffee the sex worker brings to him at midnight, "PRET" can be seen on the coffee-cup sleeve. However, the Pret A Manger at King's Cross closes at 8pm. See more »
Hi. I'm sorry.
You smell of perfume.
Well, I don't know how I do.
Nor do I.
I love you.
Is that an answer?
It's the truth. I feel as if I'm tapping on a window. You're somewhere behind the glass but you can't hear me. Even when you're angry, like now, it's like someone a long long way away is angry with me.
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Written by Jon Thor Birgisson (as Birgisson) / Orri P. Dyrason (as Dyrason) / Georg Holm (as Holm) / Kjartan Sveinsson (as Sveinsson)
Performed by Sigur Rós (as Sigur Ros)
Licensed courtesy of EMI Records LTD for the world excluding North America
Courtesy of Geffen Records United States for North America
Licensed by permission from The Film and TV Licensing Division, part of the Universal Music Group
Published by Universal Music Publishing Ltd See more »
BREAKING AND ENTERING takes you inside the council housing of London and the rough edges of Kings Cross with a look at the difference in the relationships of a Bosnian Refugee and her son, in contrast to that of a London Architect and his partner, and her autistic daughter. When their paths meet through "breaking and entering" their stories collide in a film with solid performances from the cast.
Remembering the bombing of Kings Cross in 2005, and having lived in that area as a graduate student at London University, the film location was such an interesting match for the darkness of the characters, and their own issues and complexity. The shots of the Camden Locks, and the trees that dot the water, made the story come alive with watching Law and Binoche, and the son, Miro, each with their own problems to solve.
BREAKING AND ENTERING is a timely film as it shows the "melting pot" of London with its different races and refugees who have created a city of millions who have arrived in England to escape their past. And that is also the case of Robin Wright Penn's character and her daughter from Sweden. The characters journeys come to a conclusion which fits the theme of redemption and moving beyond the past. A very complex, but a satisfying film.
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