Electrician Gus gets the chance to fulfill a childhood dream by buying an old bowling-alley with some of his friends. Unfortunately, due to the alimony payments he has to make to his ... See full summary »
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
The film opens with the cast gathering after the funeral of Jude to see a film he had been working on for two years. It turns out that the film is secret videos of all those gathered ... See full summary »
A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro. Written by
The techniques used to burgle Green Effect come from parkour, a physical discipline and recreational activity of French origin whose practitioners are called traceurs. Sometimes confused with free running, a related discipline derived from parkour, the art, as it is called by some practitioners, has gained in popularity in urban areas, particularly in Europe, during the early 21st century. See more »
When Will drinks the coffee the sex worker brings to him at midnight, "PRET" can be seen on the coffee-cup sleeve. However, the Pret A Manger at King's Cross closes at 8pm. See more »
Hi. I'm sorry.
You smell of perfume.
Well, I don't know how I do.
Nor do I.
I love you.
Is that an answer?
It's the truth. I feel as if I'm tapping on a window. You're somewhere behind the glass but you can't hear me. Even when you're angry, like now, it's like someone a long long way away is angry with me.
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Written by Black / More / Roots Manuva (as Smith)
Performed by Coldcut featuring Roots Manuva
Licensed courtesy of Ninja Tune LTD
Published by Just Isn't Music/Chrysalis Music LTD See more »
The unexpected coming to alter what is already our daily routine. Doing something for one specific purpose without realizing that we are being lead by fate , I presume, to an existential cul-de-sac. This is the stuff that fairy tales are made off, also great drama, great comedy and all the natural ingredients of what is laughingly known as our daily existence. This is Minghella's most moving film to date - and that is saying something. His obsession with darkness hidden in his characters hearts is as universal a theme as unrequited love. Minghella loves his characters and the darker they are, the stronger the love. I didn't love Jude Law this much since Mr. Ripley and Juliette Binoche is heart breaking. Brilliant. I sat in silence after the film was over. Tears running down my face. It hadn't happened to me in many many years.
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