Breaking and Entering (2006)

A landscape architect's dealings with a young thief cause him to re-evaluate his life.

Director:

Anthony Minghella

Writer:

Anthony Minghella

Stars:

Jude Law, Robin Wright, Martin Freeman

3 nominations.

Cast

Cast overview, first billed only:
Jude Law	...	Will
Robin Wright	...	Liv (as Robin Wright Penn)
Martin Freeman	...	Sandy
Juliette Binoche	...	Amira
Rafi Gavron	...	Miro
Ed Westwick	...	Zoran
Serge Soric	...	Driver
Velibor Topic	...	Vlado
Rad Lazar	...	Dragan
Ting Ting Hu	...	Wei Ping (as Ting-Ting Hu)
Romi Aboulafia	...	Orit
Poppy Rogers	...	Beatrice
Eleanor Matsuura	...	Ruby
Anna Chancellor	...	Kate
Lisa Kay	...	PC Primus

Storyline

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.

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Plot Keywords:

police | architect | computer | blackmail | seamstress | 

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Taglines:

Lie. Cheat. Steal. Love.

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for sexuality and language

Details

Country:

UK USA

Language:

English Serbo-Croatian

Release Date:

10 November 2006 (UK)

Also Known As:

Violación de domicilio

Filming Locations:

Alexandra Park, Haringey, London, England, UK

Box Office

Opening Weekend:

$21,160 (USA) (26 January 2007)

Gross:

$928,960 (USA) (20 April 2007)

Company Credits

Production Co:

Miramax Films, Mirage Enterprises

Technical Specs

Runtime:

120 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

When Ed Westwick was first offered his role in this film, he turned it down because the scheduled dates for shooting conflicted with his exams at school and he had no idea who Anthony Minghella was, but his father told him to reply to the email and tell him he was available.

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Goofs

When Will drinks the coffee the sex worker brings to him at midnight, "PRET" can be seen on the coffee-cup sleeve. However, the Pret A Manger at King's Cross closes at 8pm.

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Quotes

Amira Simic: You steal someone's heart, that's really a crime.

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Connections

Referenced in The Daily Show with Jon Stewart: Robin Wright Penn (2007)

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Soundtracks

"Sinfonia Number 2 in C Minor BWV 788"
Composed by Johann Sebastian Bach
Performed by Ivana Gavric
Additional strings composed by Gabriel Yared

User Reviews

Much to admire

How does one choose a film to view? Often it is the subject matter - here the fraught relationship between landscape architect Will and both his partner of 10 years Liv (who has an autistic daughter) and his new lover Amira (who has a thieving son). Sometimes it is star - in the case, Jude Law who has to choose between his American partner who has an obsessive approach to parenthood (Robin Wright Penn) and his Bosnian refugee girlfriend who works as a seamstress (Juliette Binoche). Other times it is the director - on this occasion, Anthony Minghella who writes as well as directs as he returns to the north London milieu in which he located "Truly, Madly, Deeply".

All of these are reasonable reasons for wanting to see "Breaking and Entering", but I confess that it was the supporting French actress Juliette Binoche that drew me to the work. I've been in love with her ever since her first English-language appearance in "The Unbearable Lightness Of Being" in 1988. She is simply beautiful in a bewitching manner, while always convincing as an actress, especially in vulnerable roles.

This is a multi-layered work in which the title can be taken in three ways: the obvious sense with the robberies perpetrated by Amira's son Miro; the deeper sense with Will's emotional assault on Amira; and still another sense as the middle-class Will and his like invade the traditionally working-class area of Kings Cross.

Those who need car chases or special effects in their movie experiences should avoid Mighella's parable, but those who value thoughtful and nuanced works will find much to admire here.