| Gretchen Krich | ... | Mother | |
| Sullivan Brown | ... | Young Guy Maddin | |
| Maya Lawson | ... | Sis | |
| Katherine E. Scharhon | ... | Chance Hale / Wendy Hale | |
| Todd Moore | ... | Father | |
| Andrew Loviska | ... | Savage Tom | |
| Kellan Larson | ... | Neddie | |
| Erik Steffen Maahs | ... | Older Guy Maddin | |
| Cathleen O'Malley | ... | Young Mother | |
| Clayton Corzatte | ... | Old Father | |
| Susan Corzatte | ... | Old Mother | |
| Megan Murphy | ... | Murderous Sister | |
| Annette Toutonghi | ... | Murderous Sister | |
| David Lobo | ... | Oarsman | |
| Eric Lobo | ... | Oarsman | |
| Sarah Harlett | ... | Adopting Couple | |
| Dan Tierney | ... | Adopting Couple | |
| David Armo | ... | Orphan | |
| Erica Badgely | ... | Orphan | |
| Riley Calcagno | ... | Orphan | |
| Jesa Chiro | ... | Orphan | |
| Munya Chiro | ... | Orphan | |
| Bailey Gibart | ... | Orphan | |
| Frank Hughes | ... | Orphan | |
| AnnieRose Kafer | ... | Orphan | |
| Emma Kelley | ... | Orphan | |
| Eleanor Kopf | ... | Orphan | |
| Sam Kopf | ... | Orphan | |
| Charlie Lachow | ... | Orphan | |
| Sam Lachow | ... | Orphan | |
| Maia Lee | ... | Orphan | |
| Emma Mercer | ... | Orphan | |
| Lucia Moser | ... | Orphan | |
| Madeleine Moser | ... | Orphan | |
| Eli Pruzan | ... | Orphan | |
| Connor Russell | ... | Orphan | |
| Electra Fire Scott | ... | Orphan | |
| Vincent Scott | ... | Orphan | |
| Iris Seiwerath | ... | Orphan | |
| Ruby Seiwerath | ... | Orphan | |
| Olivia Spokoiny | ... | Orphan | |
| Maya Sugarman | ... | Orphan | |
| Augustine Vanden Brulle | ... | Orphan | |
| rest of cast listed alphabetically: | |||
| Isabella Rossellini | ... | Narrator (voice) | |
| Clara Grace Svenson | ... | Baby Mother | |
| Anna Wichman | ... | Orphan | |
Directed by | |||
| Guy Maddin | |||
Writing credits(in alphabetical order) | ||
| Guy Maddin | ||
| Louis Negin | narration | |
| George Toles | ||
Original Music by | |||
| Jason Staczek | |||
Cinematography by | |||
| Benjamin Kasulke | |||
Film Editing by | |||
| John Gurdebeke | |||
Casting by | |||
| Joy Fairfield | |||
Production Design by | |||
| Tania Kupczak | |||
Art Direction by | |||
| Noel Paul | (co-art director) | ||
| Apryl Richards | (co-art director) | ||
Set Decoration by | |||
| Jennifer Labbienti | |||
Costume Design by | |||
| Laura Catigniani | |||
| Nina Moser | |||
| K.D. Schill | |||
Makeup Department | |||
| Denise Giago | .... | key hair stylist | |
| Denise Giago | .... | key makeup artist | |
| Daniel Wolcott | .... | makeup artist | |
| Daniel Wolcott | .... | special makeup effects artist | |
Production Management | |||
| Joy Fairfield | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Benjamin Kasulke | .... | second unit director | |
| Tyson Theroux | .... | second assistant director | |
| Anna Waggoner | .... | assistant director | |
Art Department | |||
| Rena Bussinger | .... | props manager | |
| John DeShazo | .... | set/prop builder | |
| Wing Gee | .... | tech designer | |
| Tom Phillips | .... | props | |
| Sean Porter | .... | tech designer | |
| Tivon Rice | .... | props | |
| Alan Strathmann | .... | props | |
| Curtis Taylor | .... | set designer | |
Sound Department | |||
| John Bosch | .... | sound recordist | |
| Caoimhe Doyle | .... | live foley artist | |
| Stefan Fraticelli | .... | live foley artist | |
| Goro Koyama | .... | live foley artist | |
| Andy Malcolm | .... | live foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley mixer | |
| Murray Trider | .... | sound recordist | |
| Don White | .... | foley recording mixer | |
| Don White | .... | live foley mixer | |
Camera and Electrical Department | |||
| Sullivan Brown | .... | camera operator | |
| Dave Hanagan | .... | gaffer (as David Hanagan) | |
| Benjamin Kasulke | .... | camera operator | |
| Jennifer Maas | .... | grip | |
| Guy Maddin | .... | camera operator | |
| Danielle Morgan | .... | assistant camera | |
| Danielle Morgan | .... | camera operator | |
| Kevin Philbin | .... | grip | |
| Courtland Premo | .... | grip | |
| Adam L. Weintraub | .... | still photographer | |
Editorial Department | |||
| Marc Brown | .... | film output: digital intermediate | |
| Cheryll Hidalgo | .... | additional editor | |
| Tim Maffia | .... | digital color grading | |
| Michelle Witten | .... | assistant editor | |
Music Department | |||
| Timothy Huling | .... | orchestrator | |
| Bob Ingalls | .... | orchestrator | |
| Cary LoGrande | .... | orchestral part preparation (uncredited) | |
Other crew | |||
| Cynthia Amsden | .... | publicist | |
| Mike Casassa | .... | production coordinator | |
| S.J. Chiro | .... | craft service | |
| Andy Spletzer | .... | script supervisor | |
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| Mulholland Dr. | Lemony Snicket's A Series of Unfortunate Events | Persepolis | My Winnipeg | The Saddest Music in the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Here's the problem: Maddin is an impressive filmmaker. He is important and has made at least two films that are important to me.
But he is not a very interesting person. So when he applies his mastery to making a personal film - a film essentially about his dreams and demons, it turns into something of a tragedy for the opportunity misspent.
This really is a wonderful film in the way it is put together. The whole team seems be closely attuned, with a central role played by the editor. The sound effects are astonishing - and this is a silent film. The references, duly abstracted, from past masterworks are copious and respectful.
The narrative structure is suitably complex with manifold overlapping metaphors. The problem is that what we actually get directly from him is boring. Sex and mothers matter; dreams are real; nothing recedes. But we knew that better and more deeply than he shows.
Ted's Evaluation -- 2 of 3: Has some interesting elements.