Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female ...
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Andrew W. Walker,
Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse. Written by
I got a chance to catch The Beach Party at the Threshold of Hell at its World Premiere at the L.A. Film festival. I would unabashedly recommend the film--especially to indie film-lovers and cult flick-enthusiasts worldwide. The filmmakers worked wonders in bringing a post-apocalyptic satire to the big screen on a meager budget.
The acting is, at times, pitch perfect and the story is a kind of Oh Brother Where art Thou meets Fear and Loathing in Las Vegas set in 2097, New America. The cinematography, editing, graphics and animation sequences are stunning and visually entertaining.
The film is a bit unconventional in structure, but the History Channel documentary/comic book style of the film is original and works well. While it has political and social overtones, the comedic setups were usually paid off with satisfying hilarity. The film started a bit slow, but it soon took off and kept me on the edge of my seat the rest of the way.
As this is only part one, I hope the filmmakers will be granted the budget and name talent to make part two even better than the first installment.
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