Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female ... See full summary »
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Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse. Written by
Marx-Michael
Most of the cast and crew were flown to Florida from New York and Los Angeles where they lived in the homes of volunteers for the month long shoot. See more »
Quotes
Quincy the Robot:
We take control of that radio tower, we have control of the communication.
Yul the Robot:
We take hold of communication we can unify the people.
Tex Kennedy:
World's about to get a shitload brighter.
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I also attended the midnight screening at the LA Film Festival on Friday, June 23, 2006. I liked the film and got the impression that most everyone else did as well.
For a midnight showing, I was impressed that nearly every seat was filled. There was also more audience participation than I'm accustomed to, for the audience cheered when the title appeared, laughed and clapped during the film, and stayed for the credits. More so, about three-quarters stayed to learn more about the film during the Q&A that followed -- an impressive audience at 2:30 a.m.
I've never seen a movie quite like this one. It had a quick pace, over-the-top violence and gore, a sarcastic wit, and at least a dozen characters. It's one of those films you wish you could see again, in not to simply catch and appreciate all of its humor.
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I also attended the midnight screening at the LA Film Festival on Friday, June 23, 2006. I liked the film and got the impression that most everyone else did as well.
For a midnight showing, I was impressed that nearly every seat was filled. There was also more audience participation than I'm accustomed to, for the audience cheered when the title appeared, laughed and clapped during the film, and stayed for the credits. More so, about three-quarters stayed to learn more about the film during the Q&A that followed -- an impressive audience at 2:30 a.m.
I've never seen a movie quite like this one. It had a quick pace, over-the-top violence and gore, a sarcastic wit, and at least a dozen characters. It's one of those films you wish you could see again, in not to simply catch and appreciate all of its humor.