Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female ...
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Andrew W. Walker,
Upon graduation from college with a business degree, John Issel is promptly hired by Helmes's company I.N.C. At INC, the one who gets ahead, does it by kissing ass, or over someone else's ... See full summary »
Tthe film is based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse. Tex Kennedy, two robotic ex-secret service agents, and a mythical female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse. Written by
Went to a midnight screening at the Crest in Westwood with some of my UCLA buds. Gotta say, I thought I might fall asleep since it started at 12am, but that wasn't the case. The movie's frenetic pace made for an exhilaration from beginning to end. It's akin to that rare sort of novel where you find yourself checking to see how many pages are left and hoping there are more, not fewer. A less imaginative movie coddles the audience. This movie opens up and says, "Here we go. You better hold on tight." The confidence the filmmaker's show in its audience's ability to follow every turn was such a breath of fresh air. But I could see a less savvy audience being turned off by this same confidence. If you like to try new things... If you like to challenge yourself... If you're sick of the tripe Hollywood is producing... You should see this film. With an embarrassment of riches at the filmmaker's fingertips, my only gripe is I will have to see it again to catch all the references and allusions.
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