| Michael Bowen | ... | Travis | |
| Robert Patrick | ... | Dr. David Benway | |
| Jessica Lowndes | ... | Emily | |
| Ashley Schneider | ... | Clare | |
| Ross Kohn | ... | Bobby | |
| Jenette Goldstein | ... | Nurse Marian | |
| Robert LaSardo | ... | Scott | |
| Arcadiy Golubovich | ... | Dmitriy (as Arcady Golubovich) | |
| Ross McCall | ... | Jude | |
| Gregg Brazzel | ... | Man Under Car (as Greg Brazzel) | |
| Elijah Hardy | ... | Gregory | |
| Kevin M. White | ... | Man in Hallway | |
| Tatyana Kanavka | ... | Gretchen | |
| Jeff L. Deist | ... | Scarred Naked Man (as Jeff Deist) | |
| Eric F. Adams | ... | Officer Mike Jacobs | |
| Janine Venable | ... | Lisette | |
| Marcus Morales | ... | Skinny Kid on Hospital Bed | |
| rest of cast listed alphabetically: | |||
| William Hope | ... | Additional Zombie Voices (voice) (uncredited) | |
| Ryan O'Quinn | ... | Zombie Voices (voice) (uncredited) | |
Directed by | |||
| Adam Gierasch | |||
Writing credits(WGA) | ||
| Adam Gierasch | (written by) & | |
| Jace Anderson | (written by) & | |
| E.L. Katz | (written by) | |
Produced by | |||
| Michael Arata | .... | executive producer | |
| Darrel Casalino | .... | executive producer | |
| Jerry Daigle | .... | executive producer | |
| Harmon Kaslow | .... | executive producer | |
| Ryan Lewis | .... | associate producer | |
| Jason Loughridge | .... | producer: Los Angeles | |
| Steve Markoff | .... | producer | |
| Raymond J. Markovich | .... | executive producer | |
| John Martin | .... | executive producer | |
| Mike Marvin | .... | executive producer | |
| Haven McCord | .... | associate producer | |
| Bruce McNall | .... | producer | |
| Olga Mirimskaya | .... | executive producer | |
| Christopher Pavlick | .... | line producer: Los Angeles | |
| Jessica Rhoades | .... | producer (as Jessica Horowitz) | |
| Robert Taleghany | .... | co-producer: Los Angeles | |
| Warren Zide | .... | producer | |
Original Music by | |||
| Joseph Bishara | |||
Cinematography by | |||
| Anthony B. Richmond | |||
Film Editing by | |||
| Andrew Cohen | |||
Casting by | |||
| Melissa Skoff | |||
Production Design by | |||
| Dorian Vernacchio | |||
Set Decoration by | |||
| Marina Abramyan | |||
Costume Design by | |||
| Amanda Friedland | |||
Makeup Department | |||
| Denise Baer | .... | makeup effects crew | |
| Ashley Benatar | .... | assistant makeup artist | |
| Brian Blair | .... | makeup effects crew | |
| Blake Bolger | .... | makeup effects crew | |
| Emily Burka | .... | key makeup artist | |
| Thom Cammer | .... | makeup department head: additional photography Los Angeles | |
| Kim Collea | .... | makeup effects: additional photography: Los Angeles | |
| Tommy Cyr | .... | makeup artist: Los Angeles unit | |
| Jeff L. Deist | .... | makeup effects crew | |
| Ayla Dew | .... | hair stylist: Los Angeles unit | |
| Ayla Dew | .... | special makeup effects artist | |
| Chris Dooley | .... | makeup effects crew | |
| Margeaux Fox | .... | key hair stylist | |
| Snowy Highfield | .... | makeup effects sculptor | |
| Mike J. Regan | .... | special makeup effects artist | |
| Gary J. Tunnicliffe | .... | special makeup effects designer | |
| Georgiana Pana Tunnicliffe | .... | makeup effects crew | |
Production Management | |||
| Dennis T. Benatar | .... | production supervisor | |
| Jerrold W. Lambert | .... | production manager | |
| Sarah Regan | .... | unit production manager: Los Angeles | |
Sound Department | |||
| Lee Ascher | .... | sound mixer: Los Angeles | |
| Michael Brown | .... | foley artist | |
| Steven Huerstel | .... | boom operator | |
| Yagmur Kaplan | .... | sound re-recording mixer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Brad Lokey | .... | sound utility | |
| Antonio Moncada | .... | sound mixer | |
| Phillip Perpich | .... | adr mixer | |
| Thomas Popp | .... | sound mixer: Los Angeles | |
| Sergio Reyes | .... | sound re-recording mixer | |
Visual Effects by | |||
| David Van Woert | .... | visual effects producer | |
Stunts | |||
| Eric F. Adams | .... | stunt performer | |
| Kevin Beard | .... | stunt double: Robert Patrick | |
| Gregg Brazzel | .... | stunt coordinator | |
| Gilles Conseil | .... | stunt coordinator | |
| Lex D. Geddings | .... | stunt double | |
| Holly O'Quin | .... | stunts | |
| Christie Sanders | .... | stunt double: Jessica Lowndes | |
Casting Department | |||
| Daniella Friedman | .... | casting assistant | |
| Susan Luner | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Alexandra Eagle | .... | set costumer | |
| Brie Harris | .... | costume designer: los angeles | |
| Tracey Rogers | .... | set costumer: Los Angeles | |
| Leslie Schilling | .... | key costumer | |
| Caroline 'Kat' Tchamanian | .... | assistant costume designer: Los Angeles | |
Editorial Department | |||
| Matthew Blackshear | .... | on-line editor | |
| Michael Cioni | .... | digital intermediate supervisor | |
| Steve La Ponsie | .... | first assistant editor | |
| M. Scott Smith | .... | additional editor | |
| Ryan Vega | .... | machinist | |
| Ian Vertovec | .... | digital intermediate colorist | |
Music Department | |||
| Sean Lacefield | .... | composer assistant | |
Thanks | |||
| Mike Mendez | .... | special thanks | |
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| Hostel | Enbamingu | Machete | Saigo no bansan | Repo Men |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I can't say I had much hope for this one and I must confess I mainly watched it thinking it might be amusingly bad. More fool me, for this is in many respects quite a gnarly film. The duo behind it, Adam Gierasch and Jace Anderson had previously worked on scripts for movies which didn't impress me much, but in the directors chair, Gierasch does very well, keeping a dark, edgy mood for much of the first half of the film and letting things go nuts in the latter. The story sees some young adults who have a road accident and land up in a freaky hospital, where as one might expect, things go very wrong. For b picture veteran Robert Patrick plays the head doctor and Jenette Goldstein is the head nurse, and anyone familiar with the former from such roles as T1000 in Terminator 2 or the latter as Diamondback from the great Near Dark can tell that this ain't no ordinary hospital. Without going into details, things get very nasty. There's grue and some sinister sights right from the get go, enhanced by the creepy setting and some Argento style lighting and direction tricks. Then things get pretty savage and there are some good tense moments as well as some pretty mean goings on. In theory this could have been really mighty but it's held back by the writing and characterisation. None of the good characters are very fleshed out or sympathetic beyond their plight, so whilst the actors do their best its hard to care about them. Plus the bad characters are caricatured and bar Jenette Goldstein's convincingly bossy, imperious nurse not too interesting. Robert Patrick's doctor could have been a great mad scientist (named Dr Benway in a cool Naked Lunch reference) but while his motive is clear, its never explained why the specific things he does will help him achieve his goal. Hence a lot of the time it seems like the gore scenes have no point beyond shocking the audience and this gets kinda obnoxious. Also, the tone wavers between sheer grimness and sick humour but the mixture is too much in favor of the grim for the humour to leave more than a bad taste and work against the overall effectiveness of the film. There are some funny lines but they don't work with the mean spiritedness. These issues come to the fore in the second half, which largely abandons the earlier chills in favor of going for brutality and by the end much of the entertainment value has seeped away. I don't have a total downer on this film, since it is impressively nasty, with ace gore effects and it is on the whole well directed. I'd recommend it to gore hounds and to an extent to fans of the aforementioned genre stars. Its as gruesome as any of the recent crop of Hostel/Saw type titles but I craved better characters and a more developed story, especially since the story and setting had tons of potential. Still, don't let me put you off, it went down a treat at the screening I saw so watch it if it seems like your kind of thing.