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Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Chloë Grace Moretz
Three sisters and a group of their friends take a trip to the home of the recently deceased grandfather -- who died a particularly grisly death -- to learn more about the promise of an inheritance, only to encounter a family of psychos who have taken up residence in the old man's cabin.
In Louisiana, while driving on the State Route 53, Emily has a car accident. Her boyfriend Bobby and their friends Clare, Dmitriy and Jude find that she had hit a stranger. When they see an ambulance on the road, they ask for help and the attendants bring them to the Mercy Hospital. The nurse Marian asks Bobby to go to the exam room. When Emily tries to get information about her boyfriend, she meets Dr. David Benway that tells her the Bobby is all right. But sooner Emily unravels a dark city about Dr. Benway and his team. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Maybe the worst thing a horror film can do to a fan is bore the hell out of them. But that is exactly what Autopsy did to me and my fellow viewers during a recent screening.
Autopsy, an entry in the After Dark Films series, begins with a group of students awaiting an ambulance after a car crash that has left a stranger dead under the vehicle. The students are taken to mercy Hospital which is run a small group of staff headed by Dr. David Benway (Terminator 2's Robert Patrick).
Easily separated while awaiting minor treatment, the young stars (which include Jessica Lowndes, Ashley Schneider and Ross Kohn) soon find out that their health and safety is anything but assured while contained within the halls of the hospital.
The first half of Autopsy was boring, predictable and lacking in any enjoyment whatsoever. Director Adam Gierasch brought nothing truly original to the screen and a contagious yawn could be heard throughout my screening group.
But about half way through the film, it was as if Gierasch finally got it. He went from trying to establish mood and worthwhile characters to just having fun with the genre. There are more than a few wink wink nod nod type scenes in the second half that catapult Autopsy from a boring, meandering mess to a fairly watchable and at times enjoyable horror film. When you reach a fleeing female victim gets punched in the face by a sadistic intern, you know you have it the killerreviews turning point and that things will be more fanciful for the remainder of the film.
The gore is definitely there. There is a scene with a naked man spewing his guts onto an ever-fighting female and the scene where we see a male victim with his guts hanging on strings and slings outside of his body was top rate.
Autopsy then gets a mild recommendation based solely on the final 40 minutes. Robert Patrick is always a treat to watch and he is in full bad guy mode here (think Dr. Giggles except without the giggles). You won't care which of the young characters live or die or if any of them make it out alive for that matter. Maybe that's what made the second half so much fun. Once you stop thinking it a horror film and enjoy it as a black comedy with blood and body parts, the film takes flight.
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