| Photos (see all 3 | slideshow) |
| Naveen Andrews | ... | Menerith | |
| Ashley Artus | ... | Sichem | |
| Claire Bloom | ... | Rani | |
| Silas Carson | ... | Jered | |
| Paschal Friel | ... | Amon | |
| Peter Gevisser | ... | Reuven | |
| Patrick Gordon | ... | Balaam | |
| Ben Hammersley | ... | Young Moses | |
| Greg Hicks | ... | Jekuthiel | |
| Louis Hilyer | ... | Amram | |
| Lisa Jacobs | ... | Jochebed | |
| Tom Keller | ... | Yitzchak | |
| Padma Lakshmi | ... | Princess Bithia | |
| Susan Lynch | ... | Miriam | |
| Mía Maestro | ... | Zipporah | |
| Marina Morgan | ... | Leah | |
| Richard O'Brien | ... | Tutor | |
| Paul Rhys | ... | Ramses | |
| Linus Roache | ... | Aaron | |
| Rudy Ruggiero | ... | Tribes Guard #1 | |
| Karim Saleh | ... | Joshua | |
| Adrian Schiller | ... | Shemaiah | |
| David Schneider | ... | Tobia | |
| Dougray Scott | ... | Moses | |
| Omar Sharif | ... | Jethro | |
| Matthew Sim | ... | Sorcerer | |
| Hannah Taylor-Gordon | ... | Rachel (as Hannah Taylor Gordon) | |
| John Wark | ... | Laban |
Directed by | |||
| Robert Dornhelm | |||
Writing credits(WGA) | ||
| Ron Hutchinson | (written by) | |
Produced by | |||
| Bernard Dudek | .... | producer | |
| Robert Halmi Sr. | .... | producer | |
| Laura Julian | .... | line producer | |
| Paul Lowin | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Edward J. Pei | |||
Film Editing by | |||
| Mark Conte | |||
| Victor Du Bois | |||
| Klaus Hundsbichler | |||
| Ingrid Koller | |||
Casting by | |||
| Joyce Gallie | |||
| Lynn Kressel | |||
| Sally Osoba | |||
Production Design by | |||
| Keith Wilson | |||
Art Direction by | |||
| Alistair Kay | |||
Set Decoration by | |||
| Luca Tranchino | |||
Costume Design by | |||
| Ann Hollowood | |||
Makeup Department | |||
| Sonia Akouz | .... | makeup artist | |
| Khalid Alami | .... | key makeup artist | |
| Michele Baylis | .... | makeup department head | |
| Michele Baylis | .... | makeup designer | |
| Zineb Bendoula | .... | hair stylist | |
| Zhor Bennani | .... | makeup artist | |
| Jennifer Harty | .... | makeup artist | |
| Vicki Lang | .... | makeup artist | |
| Angie Mudge | .... | makeup artist | |
Art Department | |||
| Alessandro Alberti | .... | assistant art director | |
| Abdellah Baadil | .... | art department runner | |
| Elhoussaine Baouzine | .... | construction secretary | |
| Harold Burst | .... | head of department plasterer | |
| Bryn Court | .... | sculptor | |
| Warren Flanagan | .... | concept illustrator | |
| Mike Fowlie | .... | property master | |
| Marco Furbatto | .... | draughtsman | |
| Alan Harvey | .... | props | |
| Abdenabi Izlaguen | .... | art department assistant | |
| Hanane Jabir | .... | draughtswoman | |
| Mickey Law | .... | construction coordinator | |
| Terry Law | .... | head carpenter | |
| Aziz Mhand | .... | props | |
| Philip Murphy | .... | props | |
| Rachid Quiat | .... | assistant art director | |
| Amin Rharda | .... | props buyer | |
| Gianpaolo Rifino | .... | draughtsman | |
| Zhivko Zhelyazkov | .... | storyboard artist | |
| Abdenabi Izlaguen | .... | props buyer (uncredited) | |
Sound Department | |||
| Brahim Ait Belkas | .... | boom operator: second unit | |
| Sean Byrne | .... | sound editor | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Alistair Crocker | .... | sound mixer | |
| Kevin Fisher | .... | sound effects editor | |
| James Harbour | .... | sound recordist: second unit | |
| Adam Margetts | .... | boom operator | |
| Stacey Michaels | .... | adr foley mixer | |
| Stacey Michaels | .... | adr mixer | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Alex Raspa | .... | adr mixer: New York | |
| Jonathan Rimas | .... | adr mixer | |
| Keith Rogers | .... | sound re-recording mixer | |
| David Torres | .... | foley mixer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Ferenc Deák | .... | special effects coordinator | |
| Szilard Gergely | .... | special effects technician | |
| Mark Haddenham | .... | special effects senior technician | |
| Ian Lowe | .... | senior special effects technician | |
| Lawrence Michael | .... | special effects floor supervisor: second unit | |
| Attila Sarkadi | .... | special effects technician | |
| Nigel Wilkinson | .... | special effects technician | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Hassan Elsayed Ashraf | .... | CG lead effect animator | |
| László Aszalós | .... | 3D painter | |
| András Miklós Balogh | .... | CG effects artist | |
| Dave Bannister | .... | digital compositor: Rushes | |
| Daniel Barrow | .... | visual effects producer: post production | |
| Paul Beard | .... | visual effects line producer: Men From Mars | |
| Zoltán Benyó | .... | CG supervisor | |
| Gary J. Brown | .... | digital effects artist | |
| Péter Bujdosó | .... | concept artist | |
| Melanie Byrne | .... | assistant visual effects producer: Rushes | |
| Graham Cristie | .... | digital artist | |
| Harriet Donington | .... | visual effects producer | |
| Hozelito Duric | .... | CG crowd simulation | |
| Chris Elson | .... | digital compositor: Rushes | |
| Guy Elson | .... | digital compositor: Rushes | |
| Péter Farkas | .... | CG roto artist | |
| Ádám Fiers | .... | assistant compositor | |
| James Foster | .... | digital artist | |
| Shuna Frood | .... | visual effects producer: Men From Mars | |
| Katie Goodwin | .... | visual effects artist | |
| Tom Hocking | .... | digital effects artist | |
| György Horváth | .... | CG workflow manager | |
| Louise Hussey | .... | digital effects producer | |
| Veress Kovács István | .... | matte painter | |
| Matthew Jacques | .... | digital artist | |
| Hayden Jones | .... | lead digital artist | |
| Lehel Karsa | .... | CG effects animator | |
| Pál Klemm | .... | compositor | |
| Isaac Layish | .... | digital effects artist | |
| Andras Liptak | .... | visual effects assistant | |
| Alex Llewellyn | .... | digital compositor | |
| Imre Lovász | .... | framework & technical manager | |
| Victoria McDowell | .... | visual effects line producer | |
| Alexandra C. Mende | .... | visual effects editor | |
| Károly Mesterházy | .... | 3D lead effects artist | |
| Miklós Mesterházy | .... | 3D effects artist | |
| Sándor Molnár | .... | CG character modeler | |
| Marcell Nagy | .... | 3D matte painter | |
| András Ónódi | .... | CG effects artist | |
| Tom Pegg | .... | digital effects artist | |
| Ágoston Princz | .... | 3D effects animator | |
| Jonathan Privett | .... | digital effects supervisor: Rushes | |
| Veljko Radenkovic | .... | CG crowd simulation | |
| László Sebõ | .... | CG effects supervisor | |
| David Sjodin | .... | digital compositor: Rushes | |
| Peter Sved | .... | CG artist | |
| Péter Svéd | .... | CG artist | |
| Mátyás Szabó | .... | 3D animator | |
| Miklós Szabó | .... | compositor | |
| Zoltán Szegedi | .... | CG artist | |
| Gábor Székely | .... | technical assistant | |
| Ria Tamok | .... | compositor | |
| Gábor Tóth | .... | compositor | |
| Jenõ Udvardi | .... | visual effects supervisor | |
| Gábor Vaszkun | .... | lead character animator | |
| Péter Zavorszky | .... | visual effects production manager | |
| Jez Tucker | .... | senior systems administrator (uncredited) | |
Stunts | |||
| Rachid Abbad | .... | stunts | |
| Joseph Beddelem | .... | stunt performer | |
| Othman Ilyassa | .... | stunt performer (as Othman Il Yassa) | |
| Philippe Losson | .... | stunt performer | |
| Abdellah Oukseh | .... | stunts | |
| Francois Poirier | .... | stunt performer | |
| Cedric Proust | .... | stunt arranger | |
| Cedric Proust | .... | stunt coordinator | |
| Florian Robin | .... | stunts | |
Camera and Electrical Department | |||
| Alessandro Bolognesi | .... | Steadicam operator | |
| Alessio Bramucci | .... | best boy electric | |
| Patrick Bramucci | .... | gaffer | |
| Dai Evans | .... | grip: second unit | |
| Christopher Haifley | .... | clapper loader: "a" camera (as Chris Haifley) | |
| Jeroen Hendriks | .... | camera technician | |
| Rupert Lloyd-Parry | .... | grip: second unit | |
| Ermanno Lubich | .... | focus puller: "b" camera | |
| Josef Mittendorfer | .... | focus puller: second unit | |
| Michael Nassuato | .... | clapper loader: "b" camera | |
| Pal Paluch | .... | key dolly grip | |
| Michael Riebl | .... | director of photography: second unit | |
| Michael Rintoul | .... | camera operator: "a" camera | |
| James Sprattley | .... | focus puller: "a" camera (as James Spratley) | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator: "b" camera | |
| Derek Walker | .... | Steadicam operator | |
| Derek Walker | .... | camera operator: "b" camera | |
| Ken Woroner | .... | still photographer | |
Casting Department | |||
| Mohamed Essaghir Aabach | .... | casting assistant | |
| Lois J. Drabkin | .... | casting associate | |
| Lynn Kressel | .... | casting: USA | |
| Omar Tisli | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Daryl Bristow | .... | wardrobe supervisor | |
| Jirina Eisenhamerova | .... | wardrobe | |
| Otmane Khammari | .... | wardrobe assistant | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Phillip Dawe | .... | post-production assistant | |
| Richard Glazerman | .... | assistant editor | |
| Alexandra C. Mende | .... | first assistant editor | |
Music Department | |||
| Elton Ahi | .... | score engineer | |
| David Bondelevitch | .... | music editor | |
Transportation Department | |||
| Khalid Ameskane | .... | transportation coordinator | |
| Ali Bakkioui | .... | transportation captain | |
| Tim Earl | .... | driver: camera car | |
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| The Prince of Egypt | The Ten Commandments | Moses | Ben-Hur | Solomon and Sheba |
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I didn't know how this movie would turn out, but I thought it was great. By far 10 times better than the cheesy and slightly boring Charlton Heston Version. All the actors, especially Dougray Scott & Naveen Andrews. The acting and story points, unlike the former movie, was believable and realistic. I like how they portrayed Moses as more of a human and less of a God-like figure. The only way I can see them improving it is if they got rid of the cheesy 80's-like clips they randomly showed (like the locusts part & the mushroom cloud).
Overall, a great movie that I hope they put on DVD and show again next year.